Writing about transnational cinema

Crazy rich Asians

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Otherpeer-review

Abstract

Crazy Rich Asians (2018) is a landmark film, both in terms of its representation (as the first U.S. studio-released film with an all-Asian cast since The Joy Luck Club (1993)), and in terms of its popularity (as the highest grossing romantic comedy in a decade). This transnational film – shot in Malaysia, set in Singapore, with a cast and crew from around the world – has been met with divergent responses since its release. How do we write about a film as symbolically significant as Crazy Rich Asians? How can we approach the question of ethnic stereotyping in transnational screen media without succumbing to descriptions of racial purity or attempting to avoid stereotypes
altogether?
Original languageEnglish
Title of host publicationWriting About Screen Media
EditorsLisa Patti
Place of PublicationAbingdon Oxon UK
PublisherRoutledge
Chapter6
Pages75-78
Number of pages4
ISBN (Electronic)978081539324
ISBN (Print)978081539351
Publication statusPublished - 2020

Cite this

Khoo, O. (2020). Writing about transnational cinema: Crazy rich Asians. In L. Patti (Ed.), Writing About Screen Media (pp. 75-78). Abingdon Oxon UK: Routledge.
Khoo, Olivia. / Writing about transnational cinema : Crazy rich Asians. Writing About Screen Media. editor / Lisa Patti. Abingdon Oxon UK : Routledge, 2020. pp. 75-78
@inbook{0c649f02a0d14b2599aa1a2ac55bd40d,
title = "Writing about transnational cinema: Crazy rich Asians",
abstract = "Crazy Rich Asians (2018) is a landmark film, both in terms of its representation (as the first U.S. studio-released film with an all-Asian cast since The Joy Luck Club (1993)), and in terms of its popularity (as the highest grossing romantic comedy in a decade). This transnational film – shot in Malaysia, set in Singapore, with a cast and crew from around the world – has been met with divergent responses since its release. How do we write about a film as symbolically significant as Crazy Rich Asians? How can we approach the question of ethnic stereotyping in transnational screen media without succumbing to descriptions of racial purity or attempting to avoid stereotypesaltogether?",
author = "Olivia Khoo",
year = "2020",
language = "English",
isbn = "978081539351",
pages = "75--78",
editor = "Lisa Patti",
booktitle = "Writing About Screen Media",
publisher = "Routledge",
address = "United Kingdom",

}

Khoo, O 2020, Writing about transnational cinema: Crazy rich Asians. in L Patti (ed.), Writing About Screen Media. Routledge, Abingdon Oxon UK, pp. 75-78.

Writing about transnational cinema : Crazy rich Asians. / Khoo, Olivia.

Writing About Screen Media. ed. / Lisa Patti. Abingdon Oxon UK : Routledge, 2020. p. 75-78.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Otherpeer-review

TY - CHAP

T1 - Writing about transnational cinema

T2 - Crazy rich Asians

AU - Khoo, Olivia

PY - 2020

Y1 - 2020

N2 - Crazy Rich Asians (2018) is a landmark film, both in terms of its representation (as the first U.S. studio-released film with an all-Asian cast since The Joy Luck Club (1993)), and in terms of its popularity (as the highest grossing romantic comedy in a decade). This transnational film – shot in Malaysia, set in Singapore, with a cast and crew from around the world – has been met with divergent responses since its release. How do we write about a film as symbolically significant as Crazy Rich Asians? How can we approach the question of ethnic stereotyping in transnational screen media without succumbing to descriptions of racial purity or attempting to avoid stereotypesaltogether?

AB - Crazy Rich Asians (2018) is a landmark film, both in terms of its representation (as the first U.S. studio-released film with an all-Asian cast since The Joy Luck Club (1993)), and in terms of its popularity (as the highest grossing romantic comedy in a decade). This transnational film – shot in Malaysia, set in Singapore, with a cast and crew from around the world – has been met with divergent responses since its release. How do we write about a film as symbolically significant as Crazy Rich Asians? How can we approach the question of ethnic stereotyping in transnational screen media without succumbing to descriptions of racial purity or attempting to avoid stereotypesaltogether?

M3 - Chapter (Book)

SN - 978081539351

SP - 75

EP - 78

BT - Writing About Screen Media

A2 - Patti, Lisa

PB - Routledge

CY - Abingdon Oxon UK

ER -

Khoo O. Writing about transnational cinema: Crazy rich Asians. In Patti L, editor, Writing About Screen Media. Abingdon Oxon UK: Routledge. 2020. p. 75-78