Projects per year
Abstract
This talk was written specifically in response to an invitation from
Game Changer for me to be a provocateur to the drama educators
and researchers assembled for this conference, to present a TED-style
talk that would ‘push boundaries, be a little (or a lot) controversial,
be forward thinking and future focused, explore the taboo, and/or
set the tone for some real game-changing conversation’ – and it is in
this spirit that I wrote and performed the talk below. It is important
to know this context when reading it, because the written word is
a different beast than the performed and spoken word, as drama
educators know so well. I am not offering this contextualisation as
an equivocation of the views expressed below, but rather a metacommentary
on the need for us to remain both positive about
creativity’s arrival into mainstream education, AND critical of our
impulse toward a commodification of creativity in the present era. And
while that standardising, commodifying, structuralist creative turn
has many good and useful aspects to celebrate – aspects I myself am
celebrating in my current research – I offer this talk as a cheeky but
sincere critical troubling of that move toward bridling and taming
creativity – in education and other spaces.
Game Changer for me to be a provocateur to the drama educators
and researchers assembled for this conference, to present a TED-style
talk that would ‘push boundaries, be a little (or a lot) controversial,
be forward thinking and future focused, explore the taboo, and/or
set the tone for some real game-changing conversation’ – and it is in
this spirit that I wrote and performed the talk below. It is important
to know this context when reading it, because the written word is
a different beast than the performed and spoken word, as drama
educators know so well. I am not offering this contextualisation as
an equivocation of the views expressed below, but rather a metacommentary
on the need for us to remain both positive about
creativity’s arrival into mainstream education, AND critical of our
impulse toward a commodification of creativity in the present era. And
while that standardising, commodifying, structuralist creative turn
has many good and useful aspects to celebrate – aspects I myself am
celebrating in my current research – I offer this talk as a cheeky but
sincere critical troubling of that move toward bridling and taming
creativity – in education and other spaces.
Original language | English |
---|---|
Pages (from-to) | 147 - 152 |
Number of pages | 6 |
Journal | N J Drama Australia Journal |
Volume | 39 |
Issue number | 2 |
DOIs |
|
Publication status | Published - 2015 |
Projects
- 1 Finished
-
The Creative Turn: An Australia wide Study of Creativity and Innovation in Secondary Schools
Harris, A. (Primary Chief Investigator (PCI))
Australian Research Council (ARC)
30/01/14 → 1/02/17
Project: Research