What's Left Behind

Brook Andrew (Artist)

Research output: Non-textual formCommissioned or Visual ArtworkResearch

Original languageEnglish
Place of PublicationSydney, NSW, Australia
PublisherBiennale of Sydney
Sizedimensions variable
Publication statusPublished - 2018
Event21st Biennale of Sydney - SUPERPOSITION: Equilibrium & Engagement - Museum of Contemporary Art, Sydney, Australia
Duration: 16 Mar 201811 Jun 2018
https://www.mca.com.au/artists-works/exhibitions/21st-biennale-of-sydney/

Cite this

Andrew, B. (Artist). (2018). What's Left Behind. Commissioned or Visual Artwork, Sydney, NSW, Australia: Biennale of Sydney.
Andrew, Brook (Artist). / What's Left Behind. [Commissioned or Visual Artwork].
@misc{d58cca367b8545559d6c5240abd607bc,
title = "What's Left Behind",
author = "Brook Andrew",
note = "mixed media installation 'What's Left Behind' was commissioned by the Biennale of Sydney Contributing artists: Rushdi Anwar, Shiraz Bayjoo, Mayun Kiki and Vered Snear The installation can be broken down into seven individual works by Brook Andrew: 'Mirror VIII' 2017, sapele timber, paint, block board, paper, perspex and glue This work is accompanied by three videos: Rushdi Anwar, 'Facing Living: The Past In The Present' 2015, single channel digital video, 12:30 minutes Mayun Kiki, 'Untitled' 2011–2017, single channel digital videos, 22:02 minutes Brook Andrew, 'SMASH IT' 2018, single channel digital video, 25 minutes 'Tombs of Thought III (Water)' 2017, mixed media 'Tombs of Thought IV (Fire)' 2017, mixed media 'Tombs of Thought V (Metal)' 2017, mixed media 'Tombs of Thought I (Air)' 2017, mixed media 'Tombs of Thought II (Earth)' 2017, mixed media 'Mirror VII' 2017, sapele timber, paint, block board, paper, perspex and glue This work is accompanied by two videos: Shiraz Bayjoo, 'Ile de France' 2015, single channel digital video, 31:18 minutes Vered Snear, 'Diminishing Returns' 2018, single channel digital video, 9:10 minutes Large amount of additional material in the installation supplied from the Museum of Applied Arts and Sciences and the personal archives of the contributing artists. Previous exhibition of works: 'Tombs of Thought' {"}Air{"} and {"}Earth{"} first exhibited in: Brook Andrew: The Right to Offend is Sacred, National Gallery of Victoria, Melbourne, Australia, 3 March – 4 June, 2017 Tombs of Thought {"}Water{"} first exhibited in 'A Working Model of the World' at UNSW Galleries, Sydney, 5 May – 22 July 2017 Tombs of Thought {"}Water{"} first exhibited in 'A Working Model of the World' at Sheila C Johnson Design Centre, New York, 28 September – 13 December 2017 Mirror VII, 2017 and Mirror VIII, 2017 first exhibited in Brook Andrew: Room A at Mus{\'e}e d’ethnographie de Gen{\`e}ve, Switzerland, 19 May 2017 – 7 January 2018. SMASH IT, 2018 (video piece) first exhibited in: Brook Andrew: Smash it, Roslyn Oxley9 Gallery, Sydney, 5 March – 7 April 2018.",
year = "2018",
language = "English",
publisher = "Biennale of Sydney",

}

Andrew, B, What's Left Behind, 2018, Commissioned or Visual Artwork, Biennale of Sydney, Sydney, NSW, Australia.
What's Left Behind. Andrew, Brook (Artist). 2018. Sydney, NSW, Australia : Biennale of SydneyEvent: 21st Biennale of Sydney - SUPERPOSITION: Equilibrium & Engagement, Museum of Contemporary Art, Sydney, Australia.

Research output: Non-textual formCommissioned or Visual ArtworkResearch

TY - ADVS

T1 - What's Left Behind

A2 - Andrew, Brook

N1 - mixed media installation 'What's Left Behind' was commissioned by the Biennale of Sydney Contributing artists: Rushdi Anwar, Shiraz Bayjoo, Mayun Kiki and Vered Snear The installation can be broken down into seven individual works by Brook Andrew: 'Mirror VIII' 2017, sapele timber, paint, block board, paper, perspex and glue This work is accompanied by three videos: Rushdi Anwar, 'Facing Living: The Past In The Present' 2015, single channel digital video, 12:30 minutes Mayun Kiki, 'Untitled' 2011–2017, single channel digital videos, 22:02 minutes Brook Andrew, 'SMASH IT' 2018, single channel digital video, 25 minutes 'Tombs of Thought III (Water)' 2017, mixed media 'Tombs of Thought IV (Fire)' 2017, mixed media 'Tombs of Thought V (Metal)' 2017, mixed media 'Tombs of Thought I (Air)' 2017, mixed media 'Tombs of Thought II (Earth)' 2017, mixed media 'Mirror VII' 2017, sapele timber, paint, block board, paper, perspex and glue This work is accompanied by two videos: Shiraz Bayjoo, 'Ile de France' 2015, single channel digital video, 31:18 minutes Vered Snear, 'Diminishing Returns' 2018, single channel digital video, 9:10 minutes Large amount of additional material in the installation supplied from the Museum of Applied Arts and Sciences and the personal archives of the contributing artists. Previous exhibition of works: 'Tombs of Thought' "Air" and "Earth" first exhibited in: Brook Andrew: The Right to Offend is Sacred, National Gallery of Victoria, Melbourne, Australia, 3 March – 4 June, 2017 Tombs of Thought "Water" first exhibited in 'A Working Model of the World' at UNSW Galleries, Sydney, 5 May – 22 July 2017 Tombs of Thought "Water" first exhibited in 'A Working Model of the World' at Sheila C Johnson Design Centre, New York, 28 September – 13 December 2017 Mirror VII, 2017 and Mirror VIII, 2017 first exhibited in Brook Andrew: Room A at Musée d’ethnographie de Genève, Switzerland, 19 May 2017 – 7 January 2018. SMASH IT, 2018 (video piece) first exhibited in: Brook Andrew: Smash it, Roslyn Oxley9 Gallery, Sydney, 5 March – 7 April 2018.

PY - 2018

Y1 - 2018

M3 - Commissioned or Visual Artwork

PB - Biennale of Sydney

CY - Sydney, NSW, Australia

ER -

Andrew B (Artist). What's Left Behind Sydney, NSW, Australia: Biennale of Sydney. 2018.