@inbook{a4ed7089fb384e3fbc28965dbf822e92,
title = "Warts and all: recording the live music experience",
abstract = "Once the last notes have been sounded and the house lights have been raised, what meanings do the audience take away with them from the concert? In what ways is the performance, its context and experience, remembered by attendees? What meanings do live music events have for other music lovers who were not present at specific concerts and yet are able to hear them through various media or hear about them from those who were in attendance?.",
author = "Paul Long",
note = "Publisher Copyright: {\textcopyright} Karen Burland and Stephanie Pitts 2014. Copyright: Copyright 2021 Elsevier B.V., All rights reserved.",
year = "2014",
doi = "10.4324/9781315574455-21",
language = "English",
isbn = "9781409469810",
series = "SEMPRE Studies in The Psychology of Music",
publisher = "Ashgate Publishing Limited",
pages = "147--158",
editor = "Karen Burland and Stephanie Pitts",
booktitle = "Coughing and Clapping",
address = "United Kingdom",
edition = "1st",
}