Visualising the score: Screening scores in realtime performance

Catherine Anne Hope, Lindsay Vickery

Research output: Contribution to journalArticleResearchpeer-review

Abstract

This paper examines the screening of music notations and the impact of this configuration in a live music performance situation. Before the development of graphical computing, Traditional music notation, was rarely shared with the anyone other than other musicians, composers and analysts; let alone displayed during the performance. However, some composers experiment with scores and their visual presence in performance by employing automated 'score-players‘ or actual films specifically developed to be interpreted by musicians. This paper raises some questions and possibilities for this new way of sharing musical qualities of composition and performance.
Original languageEnglish
Pages (from-to)2-16
Number of pages15
JournalIM Interactive Media - E-Journal of the National Academy of Screen and Sound
Volume7
Publication statusPublished - 2011
Externally publishedYes

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