Un/Social Cinema: Audience Decorum Revisted

Tessa Dwyer

Un/Social Cinema: Audience Decorum Revisted

Tessa Dwyer

Film Screen & Culture

Research output: Contribution to journal › Editorial › Other

Abstract

Introduction to themed dossier on social and unsocial cinema audiences

Original language	English
Pages (from-to)	522-525
Number of pages	5
Journal	Participations: Journal of Audience & Reception Studies
Volume	14
Issue number	2
Publication status	Published - Nov 2017

Keywords

Screen Audiences
Screen Engagement
Participatory Audiences
Screen Interactivity
Cinema
Moviegoing
film culture
Film festivals
Audience behaviour

Access to Document

http://www.participations.org/Volume%2014/Issue%202/26.pdfLicence: Unspecified

1 Article

Hecklevision, barrage cinema and bullet screens: An intercultural analysis
Dwyer, T., 30 Nov 2017, In: Participations: Journal of Audience & Reception Studies. 14, 2, p. 571-589 19 p.
Research output: Contribution to journal › Article › Research › peer-review

Cite this

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title = "Un/Social Cinema: Audience Decorum Revisted",

abstract = "Introduction to themed dossier on social and unsocial cinema audiences ",

keywords = "Screen Audiences, Screen Engagement, Participatory Audiences, Screen Interactivity, Cinema, Moviegoing, film culture, Film festivals, Audience behaviour",

author = "Tessa Dwyer",

year = "2017",

month = nov,

language = "English",

volume = "14",

pages = "522--525",

journal = "Participations: Journal of Audience & Reception Studies",

issn = "1749-8716",

publisher = "University of Wales, Department of Theatre, Film and Television Studies",

number = "2",

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KW - Screen Audiences

KW - Screen Engagement

KW - Participatory Audiences

KW - Screen Interactivity

KW - Cinema

KW - Moviegoing

KW - film culture

KW - Film festivals

KW - Audience behaviour

M3 - Editorial

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VL - 14

SP - 522

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JO - Participations: Journal of Audience & Reception Studies

JF - Participations: Journal of Audience & Reception Studies

IS - 2

ER -

Un/Social Cinema: Audience Decorum Revisted

Abstract

Keywords

Access to Document

Research output

Hecklevision, barrage cinema and bullet screens: An intercultural analysis

Cite this