Understanding audiences: television publics as "cultural indicators"

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Abstract

This chapter explores the significant role that broadcast news audiences play in writing early 21st-century political histories, using Australia as a case study. In 2014, a siege in a Sydney coffee shop, enacted by a gunman who claimed ISIS links, was broadcast as a live TV event. The crime, which ended with the death of two hostages, took debates about domestic terror threats in new directions. It also prompted TV journalists to ask ordinary Australians how worried they were about terrorism. Thanks to digital technologies, many of these voices have been stored in publicly accessible forms. So, when future historians want to know what ordinary Aussies thought about terror in the early 21st century, they will be able to hear some of those voices. They will hear diverse opinions that often go off script. Broadcast TV archives preserve the words of people who feared Islam, people who feared Islamophobia, and people who feared nothing in “The Lucky Country”. But what all of this speaks to is Broadcast TV’s enduring capacity to convert audiences into political publics. Using George Gerbner’s concept, the chapter argues that the terror case study suggests that audiences are “cultural indicators” of TV’s enduring capacity to organise and express political consciousness.
Original languageEnglish
Title of host publicationThe Routledge Companion To Global Television
EditorsShawn Shimpach
Place of PublicationAbingdon Oxon UK
PublisherRoutledge
Chapter12
Pages141-151
Number of pages11
Edition1st
ISBN (Electronic)9781315192468
ISBN (Print)9781138724341
DOIs
Publication statusPublished - 2020

Keywords

  • Audiences
  • Cultural Indicators Project
  • media events

Cite this

Ruddock, A. (2020). Understanding audiences: television publics as "cultural indicators". In S. Shimpach (Ed.), The Routledge Companion To Global Television (1st ed., pp. 141-151). Routledge. https://doi.org/10.4324/9781315192468-15