Toward a history of impact: The violence of the creative vocabulary

Robert Hugh Nelson

Research output: Chapter in Book/Report/Conference proceedingConference PaperResearchpeer-review

Abstract

The paper reveals a transfer of ideas in which the understanding of print process illuminates this bizarre construction of cultural and aesthetic importance by violent language.
Original languageEnglish
Title of host publicationIntersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference
EditorsLuke Morgan
Place of PublicationMelbourne
PublisherMonash University Publishing
Pages380 - 385
Number of pages6
ISBN (Print)9781921867569
Publication statusPublished - 2013
EventInternational Multi-Disciplinary Printmaking Conference 2011: Intersections and Counterpoints - Monash University, Caulfield, Australia
Duration: 27 Sep 201130 Sep 2011
Conference number: 7th
http://impact7.org.au/

Conference

ConferenceInternational Multi-Disciplinary Printmaking Conference 2011
Abbreviated titleImpact 7
CountryAustralia
CityCaulfield
Period27/09/1130/09/11
Internet address

Cite this

Nelson, R. H. (2013). Toward a history of impact: The violence of the creative vocabulary. In L. Morgan (Ed.), Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference (pp. 380 - 385). Melbourne: Monash University Publishing.
Nelson, Robert Hugh. / Toward a history of impact: The violence of the creative vocabulary. Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference. editor / Luke Morgan. Melbourne : Monash University Publishing, 2013. pp. 380 - 385
@inproceedings{bd01d0217cb14c9b953f77761f72fd98,
title = "Toward a history of impact: The violence of the creative vocabulary",
abstract = "The paper reveals a transfer of ideas in which the understanding of print process illuminates this bizarre construction of cultural and aesthetic importance by violent language.",
author = "Nelson, {Robert Hugh}",
year = "2013",
language = "English",
isbn = "9781921867569",
pages = "380 -- 385",
editor = "Luke Morgan",
booktitle = "Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference",
publisher = "Monash University Publishing",

}

Nelson, RH 2013, Toward a history of impact: The violence of the creative vocabulary. in L Morgan (ed.), Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference. Monash University Publishing, Melbourne, pp. 380 - 385, International Multi-Disciplinary Printmaking Conference 2011, Caulfield, Australia, 27/09/11.

Toward a history of impact: The violence of the creative vocabulary. / Nelson, Robert Hugh.

Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference. ed. / Luke Morgan. Melbourne : Monash University Publishing, 2013. p. 380 - 385.

Research output: Chapter in Book/Report/Conference proceedingConference PaperResearchpeer-review

TY - GEN

T1 - Toward a history of impact: The violence of the creative vocabulary

AU - Nelson, Robert Hugh

PY - 2013

Y1 - 2013

N2 - The paper reveals a transfer of ideas in which the understanding of print process illuminates this bizarre construction of cultural and aesthetic importance by violent language.

AB - The paper reveals a transfer of ideas in which the understanding of print process illuminates this bizarre construction of cultural and aesthetic importance by violent language.

UR - http://www.publishing.monash.edu/books/ic-9781921867569.html

M3 - Conference Paper

SN - 9781921867569

SP - 380

EP - 385

BT - Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference

A2 - Morgan, Luke

PB - Monash University Publishing

CY - Melbourne

ER -

Nelson RH. Toward a history of impact: The violence of the creative vocabulary. In Morgan L, editor, Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference. Melbourne: Monash University Publishing. 2013. p. 380 - 385