Abstract
In the call for papers for this conference, the origin of the word ‘technology’ in the Greek word "tekhnē" is detailed. Translated as meaning "art" or "craft", we are reminded that conceiving and making are inextricably linked; a dependency that suggests that "tekhnē" lies at the core of architectural practice.
The paper considers practice through a popular textbook (The Architect in
Practice) that was first published in 1952 and is now in its 11th revised and updated edition. The book is not intended to focus on the skills of design, but on all the multiple other skills the authors deem necessary to be a ‘successful’ and ‘efficient’ architect. Should there be any doubt, the introduction exhorts the reader specifically to lay aside the tools of design/drawing in order to concentrate on the valuable lessons contained in the book. The tools that need to be set aside to allow for this concentration change across the editions, loosely but belatedly following technological changes in the tools of the profession over the more than six decades since the book was first published. From “tee-square, colours and brushes” to “CAD equipment and thick felt pens”, the listing of these tools also tell a story of changing practices and conceptions of what an architect is and does. The paper discusses the implications these changes have for the connection between conceiving and making in architecture.
The paper considers practice through a popular textbook (The Architect in
Practice) that was first published in 1952 and is now in its 11th revised and updated edition. The book is not intended to focus on the skills of design, but on all the multiple other skills the authors deem necessary to be a ‘successful’ and ‘efficient’ architect. Should there be any doubt, the introduction exhorts the reader specifically to lay aside the tools of design/drawing in order to concentrate on the valuable lessons contained in the book. The tools that need to be set aside to allow for this concentration change across the editions, loosely but belatedly following technological changes in the tools of the profession over the more than six decades since the book was first published. From “tee-square, colours and brushes” to “CAD equipment and thick felt pens”, the listing of these tools also tell a story of changing practices and conceptions of what an architect is and does. The paper discusses the implications these changes have for the connection between conceiving and making in architecture.
Original language | English |
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Title of host publication | Historiographies of Technology and Architecture: Proceedings of the 35th Annual Conference of the Society of Architectural Historians of Australia and New Zealand |
Editors | Joanna Merwood-Salisbury, Michael Dudding, Christopher McDonald |
Place of Publication | Wellington NZ |
Publisher | Society of Architectural Historians, Australia and New Zealand (SAHANZ) |
Pages | 338-348 |
Number of pages | 11 |
ISBN (Print) | 9780473457136 |
Publication status | Published - 2018 |
Event | Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference 2018: Histographies of Technology & Architecture - Victoria University of Wellington, Wellington, New Zealand Duration: 4 Jul 2018 → 7 Jul 2018 Conference number: 35th https://www.sahanz.net/conferences/historiographies-of-technology-and-architecture/ |
Conference
Conference | Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference 2018 |
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Abbreviated title | SAHANZ 2018 |
Country/Territory | New Zealand |
City | Wellington |
Period | 4/07/18 → 7/07/18 |
Internet address |