Abstract
For much of his working life, Hirokazu Kore-eda has been preoccupied with the question of what makes a family a family. Following on from the critically acclaimed Shoplifters (2018), which received the Palme d’Or at Cannes, The Truth continues to explore the idea of family, the roles we assume, the parts we play, and, above all, the lies we tell. It also interrogates our attachment to the idea of truth, something which for Kore-eda we may never, as humans, reach.
| Original language | English |
|---|---|
| Number of pages | 2 |
| Specialist publication | Australian Book Review |
| Publication status | Published - 18 Dec 2019 |