The rise of the professional music critic in nineteenth-century England

Paul Watt

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    Abstract

    The Institute of Journalists had been founded ten years earlier, in 1913, 'to promote the professional interests of dramatic and musical critics, and to facilitate social intercourse and the exchange of views on artistic matters'. This chapter examines the state of music criticism in England from about the 1860s to the end of the century surveying the progress that music criticism made in its advance towards professionalisation: the teaching and training of critics; the establishment of principles to guide the critic, plans to improve the quality of writing style, and the need for comparison as a tool for combating personal and parochial opinions. It considers the characteristics of the professional critic and the audiences for whom they wrote to know the literary and economic climate in which their professional development occurred. The chapter claims that dramatic and musical criticism had never been 'more brilliantly or more conscientiously written that it is now'.
    Original languageEnglish
    Title of host publicationThe Music Profession in Britain, 1780–1920
    Subtitle of host publicationNew Perspectives on Status and Identity
    EditorsRosemary Golding
    Place of PublicationAbingdon Oxon UK
    PublisherRoutledge
    Chapter6
    Pages110–127
    Number of pages18
    Edition1st
    ISBN (Electronic)9781315265001
    ISBN (Print)9781138291867
    DOIs
    Publication statusPublished - 28 Mar 2018

    Publication series

    NameMusic in Nineteenth-Century Britain
    PublisherRoutledge

    Keywords

    • Music criticism
    • British history
    • literary history
    • print culture
    • musicology

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