The Book of Revelations

Alison Margaret Richards; Faye Lesley Bendrups; Guillermo Federico Anad; Nancy Black; Canada White; Christy Dena; Philip Lethlean; Peri Jenkins; Rachael Guy; Max Thomson

The Book of Revelations

Alison Margaret Richards (Other), Faye Lesley Bendrups (Composer), Guillermo Federico Anad (Photographer), Nancy Black (Other), Canada White (Producer), Christy Dena (Other), Philip Lethlean (Designer), Peri Jenkins (Designer), Rachael Guy (Designer), Max Thomson (Designer)

Critical Theatre Performance

Research output: Non-textual form › Theatre Performance › Other

Abstract

Research conducted through the development and staging of original creative work The Book of Revelations asks, how can innovative contemporary compositional and performance techniques be used to stage the internal emotional and perceptual states of an ordinary woman living with serious dementia or other mental illness, in an age characterised by renewed eschatological anxieties?
My role in this project was as initiator, author, artist/researcher and performer.
My status as an Adjunct Senior Lecturer in the Centre for Theatre and Performance at Monash University is listed in the program for the event (copy attached). Other attached documentation includes the text of a critical review published in The Age 22/12/2012 and copies of material distributed as part of the associated digital storytelling campaign. Other material including the performance text, composed and arranged music and images from the performance season are available on request.

Original language	English
Place of Publication	La Mama Carlton Courthouse Theatre
Publication status	Published - 20 Dec 2012

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Cite this

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AB - Research conducted through the development and staging of original creative work The Book of Revelations asks, how can innovative contemporary compositional and performance techniques be used to stage the internal emotional and perceptual states of an ordinary woman living with serious dementia or other mental illness, in an age characterised by renewed eschatological anxieties?My role in this project was as initiator, author, artist/researcher and performer.My status as an Adjunct Senior Lecturer in the Centre for Theatre and Performance at Monash University is listed in the program for the event (copy attached). Other attached documentation includes the text of a critical review published in The Age 22/12/2012 and copies of material distributed as part of the associated digital storytelling campaign. Other material including the performance text, composed and arranged music and images from the performance season are available on request.

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