The Art of Forgetting the Middle Ages

Cornelius Agrippa’s Rhetoric of Extinction

Tomas Zahora

Research output: Contribution to journalArticleResearchpeer-review

Abstract

The appearance of arts of forgetting during the golden age of mnemotechnics
offers a unique perspective on the interaction between history, memory, and
forgetting at a time of paradigmatic change. This article explores this interaction
through Cornelius Agrippa’s De incertitudine et vanitate artium et scientiarum,
a declamation calling for a return to simple faith and understanding.
Drawing on the work of Umberto Eco and Paul Ricoeur, I propose that De incertitudine can be read as a rhetoric of extinction analogous to arts of forgetting. Its systematic undermining of human knowledge reveals that Agrippa’s search for origins was also informed by a desire to consciously sever the links with medieval traditions. Awareness of the parameters and limitations of this aimed forgetting contributes a new dimension to understanding the work of Agrippa and his contemporaries, and also invites a reconsideration of its continuing impact on the perception of the European Middle Ages.
Original languageEnglish
Pages (from-to)359 - 385
Number of pages27
JournalSixteenth Century Journal
Volume46
Issue number2
Publication statusPublished - 2015

Cite this

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The Art of Forgetting the Middle Ages : Cornelius Agrippa’s Rhetoric of Extinction. / Zahora, Tomas.

In: Sixteenth Century Journal, Vol. 46, No. 2, 2015, p. 359 - 385.

Research output: Contribution to journalArticleResearchpeer-review

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