Space and Time

Brook Andrew

Space and Time

Department of Fine Art

Research output: Non-textual form › Commissioned or Visual Artwork › Research

Original language	English
Place of Publication	Sydney, NSW, Australia
Publisher	Roslyn Oxley9 Gallery
Size	Dimensions variable
Publication status	Published - 2016
Event	Space and Time - Roslyn Oxley9 Gallery, Sydney, NSW, Australia Duration: 3 Jun 2016 → 2 Jul 2016

1 Commissioned or Visual Artwork

'Beginning of the shape (Morphogenesis)' and 'Revealing Distance' - SM - 'Defying Empire'
Andrew, B., 2017
Research output: Non-textual form › Commissioned or Visual Artwork › Other

SMH: 'Artist Brook Andrew's reimagining of the past'
Brook Andrew
16/06/16
1 item of Media coverage
Press/Media: Article/Feature

Cite this

@misc{8d32819781c449f487d2ae508878a4a7,

title = "Space and Time",

author = "Brook Andrew",

note = "Neon, screen print, collage, sculpture, photography and painting. Beginning of the shape (Morphogenesis), 250 × 600 × 5cm Guardians of the galaxy: the motherhood number, 250 × 300 × 5cm Earth, 250 × 300 × 5cm Flare,167 × 136 × 6cm Revealing distance, 250 × 300 × 5cm Vallis, 250 × 300 × 5cm Temples and ghosts aflood the canyon,165 × 322 × 10cm Tower, 160 × 135 × 5cm Rocket Shadow, 290 × 245 × 135cm Catching Systems, 300 × 270 × 125cm 'Space & Time' incorporated works featuring neon, screen-print, collage, sculpture, photography and painting: expansive mediums, together with images from Andrews' personal and other archives like the Museum of Anthropology and Archaeology, Cambridge in the UK, and the Museum of Applied Arts and Sciences in Sydney. The works aimed to assemble new directions of understanding historical legacies of colonialism and modernist histories. For example the juxtaposition of an elephant from the Bay of Bengal during an expedition by William Henry Crane c.1891 – 1903, with a 1930{\textquoteright}s post card image of a mud-crab from the Northern Territory, Australia, highlights power dynamics, the absurd and surreal. The exhibition highlighted the fictionalised space between truth and reality, time and interstellar space. ; Space and Time ; Conference date: 03-06-2016 Through 02-07-2016",

year = "2016",

language = "English",

publisher = "Roslyn Oxley9 Gallery",

}

TY - ADVS

T1 - Space and Time

A2 - Andrew, Brook

N1 - Neon, screen print, collage, sculpture, photography and painting. Beginning of the shape (Morphogenesis), 250 × 600 × 5cm Guardians of the galaxy: the motherhood number, 250 × 300 × 5cm Earth, 250 × 300 × 5cm Flare,167 × 136 × 6cm Revealing distance, 250 × 300 × 5cm Vallis, 250 × 300 × 5cm Temples and ghosts aflood the canyon,165 × 322 × 10cm Tower, 160 × 135 × 5cm Rocket Shadow, 290 × 245 × 135cm Catching Systems, 300 × 270 × 125cm 'Space & Time' incorporated works featuring neon, screen-print, collage, sculpture, photography and painting: expansive mediums, together with images from Andrews' personal and other archives like the Museum of Anthropology and Archaeology, Cambridge in the UK, and the Museum of Applied Arts and Sciences in Sydney. The works aimed to assemble new directions of understanding historical legacies of colonialism and modernist histories. For example the juxtaposition of an elephant from the Bay of Bengal during an expedition by William Henry Crane c.1891 – 1903, with a 1930’s post card image of a mud-crab from the Northern Territory, Australia, highlights power dynamics, the absurd and surreal. The exhibition highlighted the fictionalised space between truth and reality, time and interstellar space.

PY - 2016

Y1 - 2016

M3 - Commissioned or Visual Artwork

PB - Roslyn Oxley9 Gallery

CY - Sydney, NSW, Australia

T2 - Space and Time

Y2 - 3 June 2016 through 2 July 2016

ER -

Space and Time

Research output

'Beginning of the shape (Morphogenesis)' and 'Revealing Distance' - SM - 'Defying Empire'

Press/Media

SMH: 'Artist Brook Andrew's reimagining of the past'

Cite this