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Sense of Proportion: Jacobus extending Boethius around 1300

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Abstract

Boethian arithmetic formed the basis of music theory for the medieval encyclopedist, Jacobus. His monumental Speculum musicae shows us how people around 1300, and particularly in the University of Paris, were slowly accommodating themselves to the newly rediscovered works of Aristotle, while the long-known works of Euclid and Boethius still gave a definitive
theoretical basis to music. Not without effort Jacobus reworked Boethius and went further, though still using Boethian techniques. One difficulty he encountered was the problem of dividing the tone into two equal parts.
Original languageEnglish
Title of host publicationThe Intellectual Dynamism of the High Middle Ages
EditorsClare Frances Monagle
Place of PublicationAmsterdam Netherlands
PublisherAmsterdam University Press
Chapter10
Pages213-226
Number of pages15
ISBN (Electronic)9789048537174
ISBN (Print)9789462985933
DOIs
Publication statusPublished - 2021

Keywords

  • Jacobus de Ispania
  • Jacques de Liège
  • Speculum musicae
  • Medieval Music Theory
  • Semitone

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