TY - JOUR
T1 - Secret agents
T2 - algorithmic culture, Goodreads and datafication of the contemporary book world
AU - Murray, Simone
N1 - Funding Information:
https://orcid.org/0000-0001-6213-2146 Murray Simone Monash University, Australia Simone Murray, School of Languages, Literatures, Cultures and Linguistics, Monash University, Clayton, VIC 3800, Australia. Email: [email protected] 12 2019 1367549419886026 © The Author(s) 2019 2019 SAGE Publications Goodreads, the Anglophone world’s dominant book-centric social networking platform, is a compelling example of algorithmic selection of cultural goods. By exploring in detail Goodreads’s corporate history, financing arrangements and commodification of user data, the article poses questions about the designed opacity of algorithmic selection processes, their self-perpetuating cultural effects, and potential privileging of the commercial interests of corporate owner Amazon. More broadly, the article ponders the optimal theoretical and methodological tools for examining the 21st-century book world. It ponders the shortcomings of standard book history approaches and canvasses what cultural and media studies frameworks may add. Given the increasing interpenetration of bookish dispositions and digital technologies, the article argues it is time for these disciplines themselves to merge. Algorithmic culture Amazon big data black box book history cultural and media studies datamining Goodreads publishing recommendation Australian Research Council https://doi.org/10.13039/501100000923 DP120100815 edited-state corrected-proof typesetter ts1 Funding The author received no financial support for the research, authorship, and/or publication of this article. ORCID iD Simone Murray https://orcid.org/0000-0001-6213-2146
Publisher Copyright:
© The Author(s) 2019.
PY - 2021/8
Y1 - 2021/8
N2 - Goodreads, the Anglophone world’s dominant book-centric social networking platform, is a compelling example of algorithmic selection of cultural goods. By exploring in detail Goodreads’s corporate history, financing arrangements and commodification of user data, the article poses questions about the designed opacity of algorithmic selection processes, their self-perpetuating cultural effects, and potential privileging of the commercial interests of corporate owner Amazon. More broadly, the article ponders the optimal theoretical and methodological tools for examining the 21st-century book world. It ponders the shortcomings of standard book history approaches and canvasses what cultural and media studies frameworks may add. Given the increasing interpenetration of bookish dispositions and digital technologies, the article argues it is time for these disciplines themselves to merge.
AB - Goodreads, the Anglophone world’s dominant book-centric social networking platform, is a compelling example of algorithmic selection of cultural goods. By exploring in detail Goodreads’s corporate history, financing arrangements and commodification of user data, the article poses questions about the designed opacity of algorithmic selection processes, their self-perpetuating cultural effects, and potential privileging of the commercial interests of corporate owner Amazon. More broadly, the article ponders the optimal theoretical and methodological tools for examining the 21st-century book world. It ponders the shortcomings of standard book history approaches and canvasses what cultural and media studies frameworks may add. Given the increasing interpenetration of bookish dispositions and digital technologies, the article argues it is time for these disciplines themselves to merge.
KW - Algorithmic culture
KW - Amazon
KW - big data
KW - black box
KW - book history
KW - cultural and media studies
KW - datamining
KW - Goodreads
KW - publishing
KW - recommendation
UR - http://www.scopus.com/inward/record.url?scp=85077081412&partnerID=8YFLogxK
U2 - 10.1177/1367549419886026
DO - 10.1177/1367549419886026
M3 - Article
AN - SCOPUS:85077081412
SN - 1367-5494
VL - 24
SP - 970
EP - 989
JO - European Journal of Cultural Studies
JF - European Journal of Cultural Studies
IS - 4
ER -