TY - JOUR
T1 - Rythmus and the critique of political economy
AU - Ford, Thomas Hugh
PY - 2009
Y1 - 2009
N2 - In his late unfinished work on aesthetic theory, Adam Smith develops the concept of rythmus to explore such arts as music, dance and poetry. Smith argues that rythmus communicates emotion in a very specific way. For Smith, narrative arts, such as drama or the novel, predominately seek to recreate or represent in the minds of their readership or audience the emotions of the characters that are portrayed. But what we experience through rythmus, by contrast, is an original, and not a sympathetic, feeling. Rythmus is the communicative medium of a paradoxical mode of collective feeling in which each person feels his or her own emotions, and yet all feel the same thing; in which social being is at once non-fungible and shared.
AB - In his late unfinished work on aesthetic theory, Adam Smith develops the concept of rythmus to explore such arts as music, dance and poetry. Smith argues that rythmus communicates emotion in a very specific way. For Smith, narrative arts, such as drama or the novel, predominately seek to recreate or represent in the minds of their readership or audience the emotions of the characters that are portrayed. But what we experience through rythmus, by contrast, is an original, and not a sympathetic, feeling. Rythmus is the communicative medium of a paradoxical mode of collective feeling in which each person feels his or her own emotions, and yet all feel the same thing; in which social being is at once non-fungible and shared.
UR - http://www.ingentaconnect.com/content/intellect/ejpc/2010/00000001/00000002/art00006
U2 - 10.1386/ejpc.1.2.215_1
DO - 10.1386/ejpc.1.2.215_1
M3 - Article
SN - 1757-1952
VL - 1
SP - 215
EP - 224
JO - Empedocles: European Journal for the Philosophy of Communication
JF - Empedocles: European Journal for the Philosophy of Communication
IS - 2
ER -