Russian Leviathan: Power, landscape, memory

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Abstract

This article presents an analysis of the recent Russian cinematic sensation, Andrei Zvyagintsev's fourth feature, Leviathan (2014). While earlier discussions of the film have focused on its thematic concerns, often ignoring its style and privileging narrative over image, this article foregrounds the aesthetics of the film drawing on Jaques Rancière's recent discussion of the regimes of arts.

Original languageEnglish
Number of pages14
JournalFilm Criticism
Volume42
Issue number1
DOIs
Publication statusPublished - Mar 2018

Keywords

  • Leviathan, Zviagintsev
  • Rancière
  • realism

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