Film remakes, sequels, and prequels are often understood as forms of adaptation: that is, modes of cinematic remaking characterized by strategies of repetition, variation, and expansion. This essay seeks to examine the circumstances in which these modes of serialization have been taken up in the first decades of the new millennium. It analyzes the practice, aesthetics, and politics of cinematic remaking to build an inventory of contexts, descriptions, and knowledges that contribute to the cultural and economic currency of serial forms. Specifically, the essay interrogates a new millennial context that has mobilized a set of discourses around intermediality, transnationalism, and a logic of convergence to determine how these factors have been worked in and through the concepts of adaptation and remaking.
|Title of host publication||The Oxford Handbook of Adaptation Studies|
|Place of Publication||New York NY USA|
|Publisher||Oxford University Press|
|Number of pages||18|
|Publication status||Published - 1 May 2017|
Verevis, C. (2017). Remakes, Sequels, Prequels. In T. Leitch (Ed.), The Oxford Handbook of Adaptation Studies (pp. 267–284). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780199331000.013.15