Percussion and Repercussion

The Haitian Revolution as Worker Uprising in Guy Endore's Babouk (1934) and C. L. R. James's Black Jacobins (1938)

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Original languageEnglish
Title of host publicationModernist Work
Subtitle of host publicationLabor, Aesthetics, and the Work of Art
EditorsJohn Attridge, Helen Rydstrand
Place of PublicationNew York NY USA
Chapter11
Pages179-196
Number of pages18
ISBN (Electronic)9781501344039, 9781501344022
Publication statusPublished - 2019

Cite this

Morrell, S. (2019). Percussion and Repercussion: The Haitian Revolution as Worker Uprising in Guy Endore's Babouk (1934) and C. L. R. James's Black Jacobins (1938). In J. Attridge, & H. Rydstrand (Eds.), Modernist Work: Labor, Aesthetics, and the Work of Art (pp. 179-196). New York NY USA.
Morrell, Sascha. / Percussion and Repercussion : The Haitian Revolution as Worker Uprising in Guy Endore's Babouk (1934) and C. L. R. James's Black Jacobins (1938). Modernist Work: Labor, Aesthetics, and the Work of Art. editor / John Attridge ; Helen Rydstrand. New York NY USA, 2019. pp. 179-196
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Morrell, S 2019, Percussion and Repercussion: The Haitian Revolution as Worker Uprising in Guy Endore's Babouk (1934) and C. L. R. James's Black Jacobins (1938). in J Attridge & H Rydstrand (eds), Modernist Work: Labor, Aesthetics, and the Work of Art. New York NY USA, pp. 179-196.

Percussion and Repercussion : The Haitian Revolution as Worker Uprising in Guy Endore's Babouk (1934) and C. L. R. James's Black Jacobins (1938). / Morrell, Sascha.

Modernist Work: Labor, Aesthetics, and the Work of Art. ed. / John Attridge; Helen Rydstrand. New York NY USA, 2019. p. 179-196.

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

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AU - Morrell, Sascha

PY - 2019

Y1 - 2019

M3 - Chapter (Book)

SN - 978101344015

SP - 179

EP - 196

BT - Modernist Work

A2 - Attridge, John

A2 - Rydstrand, Helen

CY - New York NY USA

ER -

Morrell S. Percussion and Repercussion: The Haitian Revolution as Worker Uprising in Guy Endore's Babouk (1934) and C. L. R. James's Black Jacobins (1938). In Attridge J, Rydstrand H, editors, Modernist Work: Labor, Aesthetics, and the Work of Art. New York NY USA. 2019. p. 179-196