Abstract
The arrest of former Bosnian Serb leader Radovan Karadžiæ in July 2008 triggered
wide-spread international interest and provided the opportunity for the Serbian
public and its media to reflect upon the role of Serbia in the Yugoslav wars of the
1990s. Karadžiæ was a Bosnian-Serb president of the self-proclaimed Serbian
republic within Bosnia and Herzegovina, and was indicted for genocide and crimes
against humanity in 1995. On the basis of critical discourse analysis, we argue that
Television Serbia, while covering Karadžiæ's arrest, constructed a nationalistic
discourse by invoking nostalgia for Greater Serbia in ways that suppressed or
concealed any connection between Karadžiæ specifically, the Serbs in general, and
especially the current government with war crimes in Bosnia and Herzegovina. At
the same time this discourse celebrated Serbia as a superior nation as it progressed
toward inclusion in the European Union.
wide-spread international interest and provided the opportunity for the Serbian
public and its media to reflect upon the role of Serbia in the Yugoslav wars of the
1990s. Karadžiæ was a Bosnian-Serb president of the self-proclaimed Serbian
republic within Bosnia and Herzegovina, and was indicted for genocide and crimes
against humanity in 1995. On the basis of critical discourse analysis, we argue that
Television Serbia, while covering Karadžiæ's arrest, constructed a nationalistic
discourse by invoking nostalgia for Greater Serbia in ways that suppressed or
concealed any connection between Karadžiæ specifically, the Serbs in general, and
especially the current government with war crimes in Bosnia and Herzegovina. At
the same time this discourse celebrated Serbia as a superior nation as it progressed
toward inclusion in the European Union.
Original language | English |
---|---|
Pages (from-to) | 24-46 |
Number of pages | 23 |
Journal | Journal of Global Mass Communication |
Volume | 2 |
Issue number | 1/2 |
Publication status | Published - 2009 |
Externally published | Yes |
Keywords
- nostalgia
- nationalism
- poetry
- Serbia
- television
- recontextualization
- war criminal