@misc{7cefc71c1f894497b40587ad2820a04f,
title = "Nicholas Mangan: A World Undone",
author = "Nicholas Mangan",
note = "'Core-Coralations (Bronchial Diversion)' 2023–24 coral, aragonite, mineral powder, acrylic resin, plastic nurdles, fiberglass reinforced plastic grating, mild steel, enamel paint 60 × 300 × 240 cm Commissioned by the Museum of Contemporary Art Australia, Sydney. Subsequent manifestations: 'Proposition for Dowiyogo{\textquoteright}s Ancient Coral Coffee Table' 2009 coral limestone from the island of Nauru, wooden travel crate 85 × 42 × 39 cm 'Notes from a Cretaceous World' 2009–10 paper, collage 50.4 × 73.5 × 4.7 cm 'Dowiyogo{\textquoteright}s Ancient Coral Coffee Table' 2009–10 coral limestone from the island of Nauru 45 × 120 × 80 cm 'Dowiyogo{\textquoteright}s Ancient Coral Coffee Table' 2009–10 coral limestone from the island of Nauru 55 × 138 × 83 cm 'Some Kinds of Duration' 2011 concrete, fluorescent lights, glass, carbon, carbon toner on paper; video 1: single-channel digital video, colour, silent, 6:48 minutes; video 2: single-channel digital video, black and white, sound, 5:05 minutes dimensions variable 'A World Undone' 2012 single-channel digital video, high definition, colour, silent, 12:00 minutes 'A World Undone (Protolith)' 2012/2024 aluminium, glass, crushed zircon rock 150 × 90 × 3 cm 'Progress in Action' 2013 modified diesel generator, coconuts, coconut oil, steel, fly-wire, rope, 44 gallon drums, steel Jerry cans, tarpaulin, acid etched copper sheet cables, copper pipe, exhaust pipe, hessian, oriented strand board; single-channel digital video, standard definition, 4:18 minutes dimensions variable 'Friday the 13th' 2009/2024 archival pigment print 120 × 180 cm 'Ancient Lights' 2015 two-channel digital video, high definition, colour, sound, off grid solar power supply, steel cage dimensions variable 'Limits to Growth' 2016–17 silver gelatin photograph; single channel digital video, high definition, colour, sound, 08:55 minutes photograph: 152.5 × 152.5 × 4 cm 'Limits to Growth (Part 3) – Letter to Rai' 2020–21 steel server rack, reconstituted aluminium and cables from Bitcoin mining machines, archival pigment print with aluminium frame, papier m{\^a}ch{\'e} sculpture made from 149 shredded photographs; single-channel digital video, high definition, black and white with colour, sound, 18:43 minutes dimensions variable 'Termite Economies: Phase 1' 2018 3D printed polymer powder, cyanoacrylate, dirt, synthetic polymer paint, steel, plywood, custom lighting, Sony Trinitron monitors; video 1: single-channel digital video, colour, silent, 1:30 minutes; video 2: single-channel digital video, colour, silent, 2:10 minutes; video 3: two-channel digital video, colour, silent, 02:44 minutes, four-channel surround sound dimensions variable 'Termite Economies: Phase 2 (Metabolic Shift) \#1' 2019 3D printed polymer powder, cyanoacrylate, synthetic polymer paint, steel, plywood, custom lighting 25 × 55 × 80 cm 'Termite Economies (Root Cause)' 2019 bronze, synthetic polymer paint, steel, plywood, custom lighting 42 × 37 × 35 cm 'Termite Economies: Phase 3 (Rorschach)' 2019 3D printed polymethyl methacrylate, resin, synthetic polymer paint, steel, plywood, custom lighting 58.4 × 58.8 × 7.4 cm 'Termite Economies: Phase 3 (Root Causes/Termite Topology)' 2019 3D printed polymethyl methacrylate, resin, synthetic polymer paint, steel, plywood, custom lighting 82 × 43.5 × 20 cm 'Termite Economies: Phase 3 (Neural Nest)' 2020 3D printed polymethyl methacrylate, resin, synthetic polymer paint, steel, plywood, custom lighting 62 × 79 × 59.2 cm 'Termite Economies: Phase 3 (Trophallaxis)' 2020 3D printed polymethyl methacrylate, resin, synthetic polymer paint, steel, plywood, custom lighting 73.5 × 23 × 50 cm 'Core-Coralations' 2022–23 single-channel digital video, high definition, colour, sound, 19:21 minutes 'Death Assemblage' 2022 coral, aragonite, mineral powder, acrylic resin, bioluminescent pigment, ultraviolet light, fibreglass reinforced plastic grating, mild steel, enamel paint 240 × 300 × 100 cm Curators: Anneke Jaspers and Anna Davis; Nicholas Mangan: A World Undone ; Conference date: 05-04-2024 Through 30-06-2024",
year = "2024",
language = "English",
publisher = "Museum of Contemporary Art",
address = "Australia",
url = "https://www.mca.com.au/exhibitions/nicholas-mangan-a-world-undone/",
}