Abstract
A binary opposition between ‘tradition versus modernity’ has preoccupied the
Indonesian public and its analysts for a century. The ‘New Theatre’ is the country’s
most celebrated form in the performing arts for its amalgamation of ‘tradition and
modernity’, but the dualism persists. A critical reexamination of the New Theatre
will benefit substantially from a review of the broader debate about a flawed
modernity that has allegedly characterised many postcolonies, due to the legacies
of their traditions.
Indonesian public and its analysts for a century. The ‘New Theatre’ is the country’s
most celebrated form in the performing arts for its amalgamation of ‘tradition and
modernity’, but the dualism persists. A critical reexamination of the New Theatre
will benefit substantially from a review of the broader debate about a flawed
modernity that has allegedly characterised many postcolonies, due to the legacies
of their traditions.
Original language | English |
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Pages (from-to) | 15-26 |
Number of pages | 12 |
Journal | Access: Critical Perspectives on Communication, Cultural & Policy Studies |
Volume | 31 |
Issue number | 2 |
Publication status | Published - 2012 |
Externally published | Yes |