TY - JOUR
T1 - Networking concert halls, musicians, and interactive textiles
T2 - interwoven Sound Spaces
AU - Visi, Federico
AU - Basso, Tatiana
AU - Greinke, Berit
AU - Wood, Emma
AU - Gschwendtner, Philipp
AU - Hope, Cat
AU - Östersjö, Stefan
N1 - Publisher Copyright:
© 2024 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
PY - 2024
Y1 - 2024
N2 - Interwoven Sound Spaces is an interdisciplinary project which brought together telematic music performance, interactive textiles, interaction design, and artistic research. A team of researchers collaborated with two professional contemporary music ensembles based in Berlin, Germany, and Piteå, Sweden, and four composers, with the aim of creating a telematic distributed concert taking place simultaneously in two concert halls and online. Central to the project was the development of interactive textiles capable of sensing the musicians’ movements while playing acoustic instruments, and generating data the composers used in their works. Musicians, instruments, textiles, sounds, halls, and data formed a network of entities and agencies that was reconfigured for each piece, showing how networked music practice enables distinctive musicking techniques. We describe each part of the project and report on a research interview conducted with one of the composers for the purpose of analysing the creative approaches she adopted for composing her piece.
AB - Interwoven Sound Spaces is an interdisciplinary project which brought together telematic music performance, interactive textiles, interaction design, and artistic research. A team of researchers collaborated with two professional contemporary music ensembles based in Berlin, Germany, and Piteå, Sweden, and four composers, with the aim of creating a telematic distributed concert taking place simultaneously in two concert halls and online. Central to the project was the development of interactive textiles capable of sensing the musicians’ movements while playing acoustic instruments, and generating data the composers used in their works. Musicians, instruments, textiles, sounds, halls, and data formed a network of entities and agencies that was reconfigured for each piece, showing how networked music practice enables distinctive musicking techniques. We describe each part of the project and report on a research interview conducted with one of the composers for the purpose of analysing the creative approaches she adopted for composing her piece.
KW - e-textiles
KW - interactive wearables
KW - internet of musical things
KW - internet of things
KW - Telematic music performance
UR - http://www.scopus.com/inward/record.url?scp=85186244852&partnerID=8YFLogxK
U2 - 10.1080/14626268.2024.2311906
DO - 10.1080/14626268.2024.2311906
M3 - Article
AN - SCOPUS:85186244852
SN - 1462-6268
VL - 35
SP - 52
EP - 73
JO - Digital Creativity
JF - Digital Creativity
IS - 1
ER -