Abstract
This essay creates a series of “studios” in which material signposts call us to dwell in and on the environmental, the material, and the affective, along with how these signposts create what Haraway describes as interferences or diffraction patterns. Using new materialisms to understand the intersection of studio arts, performative writing and critical theorising in a creative collaborative advances knowledge in creative arts and sociocultural theory.
| Original language | English |
|---|---|
| Number of pages | 21 |
| Journal | Liminalities: a journal of performance studies |
| Volume | 16 |
| Issue number | 1 |
| Publication status | Published - 2020 |
Keywords
- affect theory
- New materialisms
- Creative writing
- collaborative writing
- performance studies
- fine arts