'Limits to Growth' - SM - 'The National'

Research output: Non-textual formCommissioned or Visual ArtworkOther

Original languageEnglish
Place of PublicationSydney, NSW, Australia
PublisherArt Gallery of New South Wales
Sizevarious dimensions
Publication statusPublished - 2017
EventThe National 2017: New Australian Art - Art Gallery of NSW, Sydney, Australia
Duration: 30 Mar 201716 Jul 2017
https://www.artgallery.nsw.gov.au/exhibitions/the-national-2017/

Cite this

Mangan, N. (Artist). (2017). 'Limits to Growth' - SM - 'The National'. Commissioned or Visual Artwork, Sydney, NSW, Australia: Art Gallery of New South Wales.
@misc{3f6fd80eafb34448bf2c5fa4e3c159ef,
title = "'Limits to Growth' - SM - 'The National'",
author = "Nicholas Mangan",
note = "three single channel digital videos, colour, sound; two monitors mounted onto steel poles; six chromogenic photographs; one silver gelatin photograph single channel projection duration: 00:08:55 min, two single channel digital videos: continuous 00:02:29 min, 00:03:05 min, aspect ratio: 16:9, display dimensions variable 'Limits to growth' belongs to a body of work by Nicholas Mangan engaged with political histories in the Pacific and their intersection with a globalised economy. The installation brings two vastly different currencies into dialogue: Rai, a form of stone money used in the archipelago of Yap in Micronesia, and the contemporary digital currency bitcoin. Historically, Rai was quarried manually, its value determined in part by scale. In the 19th and 20th centuries, a series of interventions by foreigners devalued the currency and Rai was eventually superseded by the US dollar, with value tethered to the abstract fluctuations of the stock market. As with Rai, bitcoins are acquired through a process known as 'mining', but labour is outsourced to computers and trade is virtual. Ironically, the powerful server systems this requires are still dependent on natural resources. 'Limits to growth' considers how these currencies reflect shifting cultural attitudes to production, value and exchange. The work also embodies this in concrete terms. Mangan financed the large photographs of Rai by mining bitcoin, using energy appropriated from the university where he works.",
year = "2017",
language = "English",
publisher = "Art Gallery of New South Wales",
address = "Australia",

}

Mangan, N, 'Limits to Growth' - SM - 'The National', 2017, Commissioned or Visual Artwork, Art Gallery of New South Wales, Sydney, NSW, Australia.
'Limits to Growth' - SM - 'The National'. Mangan, Nicholas (Artist). 2017. Sydney, NSW, Australia : Art Gallery of New South WalesEvent: The National 2017: New Australian Art, Art Gallery of NSW, Sydney, Australia.

Research output: Non-textual formCommissioned or Visual ArtworkOther

TY - ADVS

T1 - 'Limits to Growth' - SM - 'The National'

A2 - Mangan, Nicholas

N1 - three single channel digital videos, colour, sound; two monitors mounted onto steel poles; six chromogenic photographs; one silver gelatin photograph single channel projection duration: 00:08:55 min, two single channel digital videos: continuous 00:02:29 min, 00:03:05 min, aspect ratio: 16:9, display dimensions variable 'Limits to growth' belongs to a body of work by Nicholas Mangan engaged with political histories in the Pacific and their intersection with a globalised economy. The installation brings two vastly different currencies into dialogue: Rai, a form of stone money used in the archipelago of Yap in Micronesia, and the contemporary digital currency bitcoin. Historically, Rai was quarried manually, its value determined in part by scale. In the 19th and 20th centuries, a series of interventions by foreigners devalued the currency and Rai was eventually superseded by the US dollar, with value tethered to the abstract fluctuations of the stock market. As with Rai, bitcoins are acquired through a process known as 'mining', but labour is outsourced to computers and trade is virtual. Ironically, the powerful server systems this requires are still dependent on natural resources. 'Limits to growth' considers how these currencies reflect shifting cultural attitudes to production, value and exchange. The work also embodies this in concrete terms. Mangan financed the large photographs of Rai by mining bitcoin, using energy appropriated from the university where he works.

PY - 2017

Y1 - 2017

M3 - Commissioned or Visual Artwork

PB - Art Gallery of New South Wales

CY - Sydney, NSW, Australia

ER -

Mangan N (Artist). 'Limits to Growth' - SM - 'The National' Sydney, NSW, Australia: Art Gallery of New South Wales. 2017.