Abstract
For most people in the world of cinema, film still means feature-length narrative film , while so-called shorts fill another, neglected, undervalued category. However, there appear to be more short films around than ever before - more opportunities to make and also to show them, thanks particularly to digital technology. This article takes the usual reductive characterizations of short audio-visual work - as being, variously, a training ground for future professionals , a free space where young people can indulge in anarchy for a little while before growing up, or as a calling card for the film industry - and interrogates them in the context of a rapidly changing and evolving media culture.
| Original language | English |
|---|---|
| Pages (from-to) | 19 - 24 |
| Number of pages | 6 |
| Journal | Empedocles: European Journal for the Philosophy of Communication |
| Volume | 5 |
| Issue number | 1-2 |
| DOIs | |
| Publication status | Published - 2015 |
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