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Jumping from the feature-length bridge

Adrian Paul Martin

Research output: Contribution to journalArticleOther

Abstract

For most people in the world of cinema, film still means feature-length narrative film , while so-called shorts fill another, neglected, undervalued category. However, there appear to be more short films around than ever before - more opportunities to make and also to show them, thanks particularly to digital technology. This article takes the usual reductive characterizations of short audio-visual work - as being, variously, a training ground for future professionals , a free space where young people can indulge in anarchy for a little while before growing up, or as a calling card for the film industry - and interrogates them in the context of a rapidly changing and evolving media culture.
Original languageEnglish
Pages (from-to)19 - 24
Number of pages6
JournalEmpedocles: European Journal for the Philosophy of Communication
Volume5
Issue number1-2
DOIs
Publication statusPublished - 2015

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