Abstract
Following Michelle Auzanneau, I think of Hip Hop music as “a space for the expression of cultures and identities under construction” (2002, 120). Today, Hip Hop is the genre of choice for many children of migrants
coming of age in Italy, who find themselves in need to negotiate their sense of identity and belonging amidst
divisive social and political discourses. This paper focuses on Young Slash as a case study, illustrating how this
Genovese artist of Mauritian origin mixes multiple languages as well as global and local references to perform his transcultural identity and disrupt homogeneous ideas of Italianness.
coming of age in Italy, who find themselves in need to negotiate their sense of identity and belonging amidst
divisive social and political discourses. This paper focuses on Young Slash as a case study, illustrating how this
Genovese artist of Mauritian origin mixes multiple languages as well as global and local references to perform his transcultural identity and disrupt homogeneous ideas of Italianness.
Original language | English |
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Title of host publication | Between Immigration and Historical Amnesia |
Subtitle of host publication | Conference proceedings of the third international symposium of Diaspore Italiane |
Place of Publication | Genoa |
Pages | 7-11 |
Number of pages | 5 |
Publication status | Published - 1 Mar 2020 |
Event | Third Conference of the Symposium Diaspore Italiane – Italy in Movement - Gala Museo del Mare, Genova, Italy Duration: 27 Jun 2022 → 29 Jun 2022 Conference number: 3 |
Conference
Conference | Third Conference of the Symposium Diaspore Italiane – Italy in Movement |
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Country/Territory | Italy |
City | Genova |
Period | 27/06/22 → 29/06/22 |