TY - JOUR
T1 - Inside the Éliane Radigue composer-performer circle
AU - Hope, Cat
N1 - Funding Information:
OCCAM HEXA II (2015) was commissioned and performed with support from the Government of Western Australia Local Government, Sports and Cultural Industry. Special thanks to the members of Decibel involved in OCCAM HEXA II (2015); Tristen Parr, Lindsay Vickery, Stuart James, and Aaron Wyatt.OCCAM XXIV (2018) was commissioned with assistance from Room 40 and Carriageworks. I would like to thank both \u00C9liane Radigue and Carol Robinson for their generosity, music, and friendship.
Publisher Copyright:
© 2024 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
PY - 2024
Y1 - 2024
N2 - As a composer-performer, Cat Hope has collaborated with Éliane Radigue in the creation of three new works: 2015's OCCAM HEXA II, co-composed with Carol Robinson and commissioned by Decibel new music ensemble, 2018's OCCAM XXIV for solo alto flute, and 2019's OCCAM RIVER XXIV for flute and cello. In this article, Hope traces the genesis of these works and her experience bringing these compositions to life via a shared composer-performers' circle: friendship networks and ways of being together that Hope argues are key to the success of Radigue's acoustic work. Drawing from meetings, discussions, and workshop sessions with Radigue, the experience of the evolving performance process and consultations with other Radigue performers, Hope outlines her perspective on how these works come together, link to each other, and contribute to the broader community of composer-performers.
AB - As a composer-performer, Cat Hope has collaborated with Éliane Radigue in the creation of three new works: 2015's OCCAM HEXA II, co-composed with Carol Robinson and commissioned by Decibel new music ensemble, 2018's OCCAM XXIV for solo alto flute, and 2019's OCCAM RIVER XXIV for flute and cello. In this article, Hope traces the genesis of these works and her experience bringing these compositions to life via a shared composer-performers' circle: friendship networks and ways of being together that Hope argues are key to the success of Radigue's acoustic work. Drawing from meetings, discussions, and workshop sessions with Radigue, the experience of the evolving performance process and consultations with other Radigue performers, Hope outlines her perspective on how these works come together, link to each other, and contribute to the broader community of composer-performers.
KW - community
KW - composer-performer
KW - creative process
KW - ensemble
KW - flute
UR - https://www.scopus.com/pages/publications/85195495045
U2 - 10.1080/07494467.2024.2348280
DO - 10.1080/07494467.2024.2348280
M3 - Article
AN - SCOPUS:85195495045
SN - 0749-4467
JO - Contemporary Music Review
JF - Contemporary Music Review
ER -