TY - JOUR
T1 - Influence and expertise
T2 - distancing and distinction in online youth feminist knowledge cultures
AU - Kanai, Akane
AU - Zeng, Natasha
N1 - Funding Information:
This work was supported by Australian Research Council: [Grant Number].
Publisher Copyright:
© 2023 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group.
PY - 2023
Y1 - 2023
N2 - In recent years, feminism’s visibility in Western pop culture and social media has seemingly made it ever more accessible for young people (Banet-Weiser, S. 2019. Empowered: Popular Feminism and Popular Misogyny. Durham, NC: Duke University Press). This article uses the framework of youth ‘knowledge cultures’ to analyse how feminist knowledge is negotiated and remade in online culture, going beyond characterisations of online feminism primarily in terms of either ‘activism’, or the linear ‘accessing’ of feminist ideas. Drawing on an ongoing empirical project located in Australia involving 50 young feminists who regularly engage with feminist social media culture, we highlight participants’ affective practices of analysis and critique in connection with three Australian feminist ‘influencers’ with significant social media presences: Clementine Ford, a white columnist and memoirist; Abbie Chatfield, a white former Bachelor contestant, now podcaster and TV personality; and Lillian Ahenkan aka Flex Mami, a Black entrepreneur, and podcaster. We highlight how practices of distancing and proximity are enacted by participants in affective knowledge practices in relation to these influencers. We suggest the framework of ‘accessibility’ that predominates in scholarship obscures the complex classed, racialised and gendered dynamics through which knowledge is hierarchically made, contested, and accorded legitimacy in social media knowledge cultures.
AB - In recent years, feminism’s visibility in Western pop culture and social media has seemingly made it ever more accessible for young people (Banet-Weiser, S. 2019. Empowered: Popular Feminism and Popular Misogyny. Durham, NC: Duke University Press). This article uses the framework of youth ‘knowledge cultures’ to analyse how feminist knowledge is negotiated and remade in online culture, going beyond characterisations of online feminism primarily in terms of either ‘activism’, or the linear ‘accessing’ of feminist ideas. Drawing on an ongoing empirical project located in Australia involving 50 young feminists who regularly engage with feminist social media culture, we highlight participants’ affective practices of analysis and critique in connection with three Australian feminist ‘influencers’ with significant social media presences: Clementine Ford, a white columnist and memoirist; Abbie Chatfield, a white former Bachelor contestant, now podcaster and TV personality; and Lillian Ahenkan aka Flex Mami, a Black entrepreneur, and podcaster. We highlight how practices of distancing and proximity are enacted by participants in affective knowledge practices in relation to these influencers. We suggest the framework of ‘accessibility’ that predominates in scholarship obscures the complex classed, racialised and gendered dynamics through which knowledge is hierarchically made, contested, and accorded legitimacy in social media knowledge cultures.
KW - class
KW - feminism
KW - influencers
KW - intersectionality
KW - Knowledge cultures
KW - social media
UR - http://www.scopus.com/inward/record.url?scp=85152420205&partnerID=8YFLogxK
U2 - 10.1080/13676261.2023.2199149
DO - 10.1080/13676261.2023.2199149
M3 - Article
AN - SCOPUS:85152420205
SN - 1367-6261
JO - Journal of Youth Studies
JF - Journal of Youth Studies
ER -