How Australian Photography Became Contemporary Supernatural Artificial Contemporary Photobased Art from Australia

Daniel Stephen Vaughan Palmer

Research output: Contribution to specialist publicationCreative WorkOther

Original languageEnglish
Pages44 - 45
Number of pages2
Specialist publicationGertrude Contemporary Art Spaces & Asialink
PublisherGertrude Contemporary Art Spaces & Asialink
Publication statusPublished - 2005

Cite this

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title = "How Australian Photography Became Contemporary Supernatural Artificial Contemporary Photobased Art from Australia",
author = "Palmer, {Daniel Stephen Vaughan}",
year = "2005",
language = "English",
pages = "44 -- 45",
journal = "Gertrude Contemporary Art Spaces & Asialink",
publisher = "Gertrude Contemporary Art Spaces & Asialink",

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How Australian Photography Became Contemporary Supernatural Artificial Contemporary Photobased Art from Australia. / Palmer, Daniel Stephen Vaughan.

In: Gertrude Contemporary Art Spaces & Asialink, 2005, p. 44 - 45.

Research output: Contribution to specialist publicationCreative WorkOther

TY - GEN

T1 - How Australian Photography Became Contemporary Supernatural Artificial Contemporary Photobased Art from Australia

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JO - Gertrude Contemporary Art Spaces & Asialink

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