Abstract
How do musical identities begin? In what ways do infants and young children draw on music in their identity work and world-making? What role does music play in their identity work and world-making? These questions underpin the arguments presented in this chapter, focussing in particular on the ways in which musical narratives, in the form of invented and known song-making and performance may be employed in the identity work of infants and young children. When we acknowledge that identities may be performed as well as told, we also acknowledge that narration of self may be enacted and performed as well as spoken. Music provides a rich medium for the narrative construction and communication of identity. The chapter proposes young children’s early song and music-making may be viewed as “small” stories, which are employed as a means of constructing and “telling” identity to self and others.
Original language | English |
---|---|
Title of host publication | Handbook of Musical Identities |
Editors | Raymond MacDonald, David J. Hargreaves, Dorothy Miell |
Place of Publication | Oxford UK |
Publisher | Oxford University Press |
Chapter | 4 |
Number of pages | 18 |
Edition | 1st |
ISBN (Electronic) | 9780199679485 |
DOIs | |
Publication status | Published - 2017 |
Externally published | Yes |
Keywords
- Small stories
- narrative identity
- invented song-making
- invented songs
- motherese
- parentese
- communicative musicality