Abstract
This chapter investigates the issue of sexism in rap music from the 2000s by comparing a sample of lyrics by American and Italian Hip-Hop artists. Our analysis focuses specifically on pimp rap, a subgenre of rap music that tries to artistically revitalise the figure of the pimp seen as a self-made man who, through the exploitation of women, frees himself from the fate of the Black man of the ghetto. The global popularity of American pimp rappers has had a strong impact on the Italian rap scene. Both mainstream and underground Italian rappers have adopted pimp personas. The appropriation of the pimp trope, however, is not only a sign of the influence of American rap, but also the expression of local forms of masculinity.
Original language | English |
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Title of host publication | Misogyny, Toxic Masculinity, and Heteronormativity in Post-2000 Popular Music |
Editors | Glenn Fosbraey, Nicola Puckey |
Place of Publication | Cham Switzerland |
Publisher | Palgrave Macmillan |
Chapter | 4 |
Pages | 79-93 |
Number of pages | 21 |
Edition | 1st |
ISBN (Electronic) | 9783030651893 |
ISBN (Print) | 9783030651886, 9783030651916 |
DOIs | |
Publication status | Published - 2021 |