Fissures in Time

Peta Clancy

Fissures in Time

Department of Fine Art

Research output: Non-textual form › Commissioned or Visual Artwork › Research

Original language	English
Place of Publication	Sydney, NSW, Australia
Publisher	State Library of New South Wales
Size	4 works each: 91 cm x 123.98 cm
Publication status	Published - 2017
Event	Under the Sun: Reimagining Max Dupain's Sunbaker - The State Library of New South Wales, Sydney, Australia Duration: 18 Feb 2017 → 17 Apr 2017

Access to Document

http://www.sl.nsw.gov.au/exhibitions/under-sun-reimagining-max-dupains-sunbaker

4 Commissioned or Visual Artwork

'Fissures in Time 2' - SM - 'Mountains Become Islands'
Clancy, P., 2019
Research output: Non-textual form › Commissioned or Visual Artwork › Other
'Fissures in Time' - SM - 'New Acquisitions from the Collection'
Clancy, P., 2019
Research output: Non-textual form › Commissioned or Visual Artwork › Other
'Fissure 8' - SM - 'William and Winifred Bowness Photography Prize'
Clancy, P., 2017
Research output: Non-textual form › Commissioned or Visual Artwork › Other

RMIT CULTURE: 'Unpacked - Peta Clancy, 'Fissures in Time''
Peta Clancy
26/05/22
1 Media contribution
Press/Media: Article/Feature
UN MAGAZINE: 'Australian landscape photography: the colonial project, the panorama, its undoing'
Peta Clancy
1/05/18
1 item of Media coverage
Press/Media: Article/Feature
TIME OUT: 'Under the Sun: Reimagining Max Dupain’s Sunbaker'
Peta Clancy
13/04/17
1 item of Media coverage
Press/Media: Article/Feature

William and Winifred Bowness Photography Prize 2017 - Finalist
Clancy, Peta (Recipient), 2017
Prize: Prize (including medals and awards)

File

Cite this

@misc{598afa472f424fa8870f550ebde296d3,

title = "Fissures in Time",

author = "Peta Clancy",

note = "framed inkjet pigment prints Curator: Claire Monnereye, Australian Centre for Photography The series of photographs {\textquoteleft}Fissures in Time{\textquoteright} are informed by research into nineteenth century massacre sites in Victoria. Created through the process of taking large format photographs of specific sites, printing these before installing them back into the same landscape. The prints are then cut into and rephotographed so that the damaged print and the original scene are both visible in the final photographs. This creates inconsistencies in terms of light and focus to encourage the viewer to look twice and to reflect on the gap between what they see and the histories of violence held in the landscape. Four images from the series {\textquoteleft}Fissures in Time{\textquoteright} was commissioned by the Australian Centre for Photography. ; Under the Sun: Reimagining Max Dupain's Sunbaker ; Conference date: 18-02-2017 Through 17-04-2017",

year = "2017",

language = "English",

publisher = "State Library of New South Wales",

}

TY - ADVS

T1 - Fissures in Time

A2 - Clancy, Peta

N1 - framed inkjet pigment prints Curator: Claire Monnereye, Australian Centre for Photography The series of photographs ‘Fissures in Time’ are informed by research into nineteenth century massacre sites in Victoria. Created through the process of taking large format photographs of specific sites, printing these before installing them back into the same landscape. The prints are then cut into and rephotographed so that the damaged print and the original scene are both visible in the final photographs. This creates inconsistencies in terms of light and focus to encourage the viewer to look twice and to reflect on the gap between what they see and the histories of violence held in the landscape. Four images from the series ‘Fissures in Time’ was commissioned by the Australian Centre for Photography.

PY - 2017

Y1 - 2017

M3 - Commissioned or Visual Artwork

PB - State Library of New South Wales

CY - Sydney, NSW, Australia

T2 - Under the Sun: Reimagining Max Dupain's Sunbaker

Y2 - 18 February 2017 through 17 April 2017

ER -

Fissures in Time

Access to Document

Research output

'Fissures in Time 2' - SM - 'Mountains Become Islands'

'Fissures in Time' - SM - 'New Acquisitions from the Collection'

'Fissure 8' - SM - 'William and Winifred Bowness Photography Prize'

Press/Media

RMIT CULTURE: 'Unpacked - Peta Clancy, 'Fissures in Time''

UN MAGAZINE: 'Australian landscape photography: the colonial project, the panorama, its undoing'

TIME OUT: 'Under the Sun: Reimagining Max Dupain’s Sunbaker'

Prizes

William and Winifred Bowness Photography Prize 2017 - Finalist

Cite this