Abstract
Torch songs are standards—musical forms and formulas that recount the pain and suffering of unrequited love. But torch songs are also sites—interpretive spaces waiting to be filled by a performance. As such, torch singing is at once a product and producer of action—a site for concerted connection, deliberation, and contention. The resistive possibilities of a song of unrequited love are generated in the singing, in how a performance of a standard creates new spaces, new movements, and new meanings.
| Original language | English |
|---|---|
| Pages (from-to) | 738-759 |
| Number of pages | 22 |
| Journal | Qualitative Inquiry |
| Volume | 8 |
| Issue number | 6 |
| DOIs | |
| Publication status | Published - 1 Jan 2002 |
Cite this
- APA
- Author
- BIBTEX
- Harvard
- Standard
- RIS
- Vancouver