Abstract
Emile Zola (1840-1902) occupies a distinctive (and distinguished) place in the great tradition of French ccitical-realist ficrion. The naturalist emphasi on integrity of representation opened the novel up co a new realm of subjects: the realities of working-class life, class relations, sexualfry, and the body; and a new freedom of expression in their depiction. The attacks Zola sustained throughout his career for his purported obsession with "filth" were largely political in nature - attempt by the esrablishmenr to discredit bim. He wa a reformist, not a revolutionary, and the denuncjacion of social injustice and hypocrisy embodied in his fiction is implicit, bounded by the naturalise ae rheti of "objeccivicy"; but it is no less eloquent for being implicit - Zola never stopped being a danger to the established order
Original language | English |
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Title of host publication | A Companion to World Literature |
Subtitle of host publication | 1771 to 1919 |
Editors | Frieda Ekotto, Abigail E. Celis |
Place of Publication | Hoboken NJ USA |
Publisher | Wiley-Blackwell |
Chapter | 45 |
Pages | 2469-2479 |
Number of pages | 11 |
Volume | 4 |
ISBN (Print) | 978118993187 |
Publication status | Published - 2020 |