This article questions both the Englishness and generic stasis ascribed to Agatha Christie and argues that her Murder on the Orient Express (1933) displays an inherent transnationalism that questions the strict taxonomies supposedly separating the English clue-puzzle from the American private-eye novel.
|Number of pages||11|
|Journal||Clues: a journal of detection|
|Publication status||Published - 2018|
- Agatha Christie
- hardboiled fiction
- Murder on the Orient Express
- National identity