Dostoevsky and the Realists

TY - BOOK

T1 - Dostoevsky and the Realists

T2 - Dickens, Flaubert, Tolstoy

AU - Vladiv-Glover, Millicent

N1 - Slobodanka Millicent Vladiv-Glover is Adjunct Associate Professor (Research) in SLLCL, Monash University. She taught in Slavic Studies and Comparative Literature until 2013. She is chief editor of "The Dostoevsky Journal: A Comparative Literature Review." She is on the executives of AACPS and NASSS and is the national representative for Australian of the International Dostoevsky Society.

PY - 2019

Y1 - 2019

N2 - This study offers a radical redefinition of Realism as a historical phenomenon, grounded in the literary manifestoes of the 1840s in three national literary canons (English, French and Russian), which issued a call to writers to record the manners and mores of their societies for posterity and thus to become 'local historians'. The sketch of manners becomes the instituting genre of Realism but is transformed in the major novels of the Realists into history as genealogy and into a phenomenology of modern subjectivity. Dickens, Flaubert and Tolstoy are brought into relation with Dostoevsky via a shared poetics as well as through a deconstructive or psychoanalytic analysis of their respective novels, which are interpreted in the context of various doctrines of Beauty, including Dostoevsky's own artistic credo of 1860. In this broad context of European aesthetics and the European literary canon, Dostoevsky's own view of history is illuminated in a new perspective, in which his concept of the "soil" is stripped of its conservative mask behind which emerges a (post-exile) Dostoevsky with socialist, pan-European views. The portrait of Dostoevsky which thus emerges from the present study is that of a European writer with a radically modern aesthetics and with a progressivist political orinetation which is in consonance with his pre-exile affiliation with utopian socialism.

AB - This study offers a radical redefinition of Realism as a historical phenomenon, grounded in the literary manifestoes of the 1840s in three national literary canons (English, French and Russian), which issued a call to writers to record the manners and mores of their societies for posterity and thus to become 'local historians'. The sketch of manners becomes the instituting genre of Realism but is transformed in the major novels of the Realists into history as genealogy and into a phenomenology of modern subjectivity. Dickens, Flaubert and Tolstoy are brought into relation with Dostoevsky via a shared poetics as well as through a deconstructive or psychoanalytic analysis of their respective novels, which are interpreted in the context of various doctrines of Beauty, including Dostoevsky's own artistic credo of 1860. In this broad context of European aesthetics and the European literary canon, Dostoevsky's own view of history is illuminated in a new perspective, in which his concept of the "soil" is stripped of its conservative mask behind which emerges a (post-exile) Dostoevsky with socialist, pan-European views. The portrait of Dostoevsky which thus emerges from the present study is that of a European writer with a radically modern aesthetics and with a progressivist political orinetation which is in consonance with his pre-exile affiliation with utopian socialism.

KW - manifestoes of Realism, Tolsyoy, Dostoevsky, Flaubert, Dickens, doctrine of Beauty, phenomenology, psychoanalytic theory,

U2 - 10.3726/b14603

DO - 10.3726/b14603

M3 - Book

SN - 9781433152238

BT - Dostoevsky and the Realists

PB - Peter Lang Publishing

CY - New York NY USA

ER -