DIY culture

Research output: Chapter in Book/Report/Conference proceedingChapter (Book)Researchpeer-review

Abstract

Do-it-yourself (DIY) culture emerges at a particular social and historical conjuncture in which the saturation of mass media in everyday culture in the West figures prominently. This chapter discusses DIY's synergies and tensions with Remix discourse through tracking discussions of DIY in debates on mainstream and subcultural production, convergence culture, and individualization. Amateur production may be understood as a way for the masses to speak back in a form of democratic cultural participation, and, while not true of all remix practices, many may fall under this DIY amateur umbrella. From another perspective, digital DIY culture has been of interest in terms of understanding, not necessarily how people may change culture, but how they understand and negotiate it through remix. For scholars who have traditionally held a strong interest in the active audience, DIY culture may show how people engage in and interpret social questions and issues.
Original languageEnglish
Title of host publicationKeywords in Remix Studies
EditorsEduardo Navas, Owen Gallagher, xtine burrough
Place of PublicationNew York NY USA
PublisherRoutledge
Chapter11
Pages125-134
Number of pages10
Edition1st
ISBN (Electronic)97811315516417
ISBN (Print)9781138699632
DOIs
Publication statusPublished - 27 Nov 2017
Externally publishedYes

Keywords

  • remix
  • DIY
  • gender
  • subculture

Cite this