This chapter compares the architect and antiquarian Pirro Ligorio’s theoretical writings on the grotesque with the garden that he designed for the Villa d’Este in Tivoli, paying close attention to the figure of Artemis of Ephesus depicted in the frescoes of the villa’s interior and in the adjacent landscape where she appears as the Fountain of Nature. The fact that Ligorio was the author of an unusually detailed theory of grottesche and the designer of a garden that incorporates grotesque imagery makes his work an important case study of sixteenth-century attitudes towards ‘monstrous’ ornament in general and, more specifically, in landscape design.
|Title of host publication||Ornament and Monstrosity in Early Modern Art|
|Editors||Chris Askholt Hammeken, Maria Fabricius Hansen|
|Place of Publication||Amsterdam, The Netherlands|
|Publisher||Amsterdam University Press|
|Number of pages||20|
|ISBN (Electronic)||978 90 4853 587 3|
|ISBN (Print)||978 94 6298 496 7|
|Publication status||Published - 2019|
- Pirro Ligorio
- Villa d’Este
- Artemis of Ephesus
Morgan, L. (2019). Dissonant Symphonies: The Villa d’Este in Tivoli and the Grotesque. In C. Askholt Hammeken, & M. Fabricius Hansen (Eds.), Ornament and Monstrosity in Early Modern Art (pp. 73-92). Amsterdam University Press.