Abstract
In this chapter, I argue that Braidotti’s style constitutes a new mode of problematization that is unique in its consideration of the new temporalities and disjunctions of twentyfirst-century ethics and politics. In particular, I focus on her criticism of “clarity fetishism,” and argue that her work is enabling because of its capacity to work through the contradictions of multiple voices and registers.
| Original language | English |
|---|---|
| Title of host publication | The Subject of Rosi Braidotti |
| Subtitle of host publication | Politics and Concepts |
| Editors | Bolette Blaagaard, Iris van der Tuin |
| Place of Publication | UK |
| Publisher | Bloomsbury Academic |
| Pages | 72-77 |
| Number of pages | 6 |
| Edition | 1st |
| ISBN (Electronic) | 9781472573377 |
| ISBN (Print) | 9781472573353 |
| Publication status | Published - 2014 |
| Externally published | Yes |
Keywords
- Disaster
- Feminism
- Style
- Theory
