Abstract
The term embodied knowledge is increasingly used to describe a loose, diverse, and heterogeneous array of phenomena. This essay approaches the question of how it might be possible for a body to "know" and suggests two phenomenological, corporeal methods, interpretive and generalising, which might open an understanding of the complex interactions between corporeality, knowledge, representation, and performance.
| Original language | English |
|---|---|
| Pages (from-to) | 155-172 |
| Number of pages | 18 |
| Journal | About Performance |
| Volume | 14 |
| Issue number | 15 |
| Publication status | Published - 2017 |
Keywords
- bodyweather
- phenomenology