Computational manga and anime

Tien-Tsin Wong; Takeo Igarashi; Ying-Qing Xu; Danqing Shi

doi:10.1145/2542266.2542279

Computational manga and anime

Tien-Tsin Wong, Takeo Igarashi, Ying-Qing Xu, Danqing Shi

Research output: Chapter in Book/Report/Conference proceeding › Conference Paper › Research › peer-review

1 Citation (Scopus)

Abstract

Traditional manga (comic) and anime (cartoon) creation are painstaking processes. Even computers are utilized for the content creation, computers are mainly utilized as a naive digital canvas. With the increasing computing power and decreasing cost of CPU & GPU, more computing resource can be exploited cost-effectively for intelligent and semi-automatic creation of aesthetics content. In this course, we gather speeches from both artist and scientists. We shall discuss what kind of computer technologies an artist would prefer to use in their creation (i.e. user point of view), and recent technologies developed in graphics that facilitates or even inspires the content creation.

Original language	English
Title of host publication	SIGGRAPH Asia 2013 Courses, SA 2013
Publisher	Association for the Advancement of Artificial Intelligence (AAAI)
Number of pages	52
ISBN (Print)	9781450326315
DOIs	https://doi.org/10.1145/2542266.2542279
Publication status	Published - 2013
Externally published	Yes
Event	ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia 2013 - Hong Kong, Hong Kong Duration: 19 Nov 2013 → 22 Nov 2013 https://dl.acm.org/doi/proceedings/10.1145/2542266 (Proceedings)

Conference

Conference	ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia 2013
Abbreviated title	SA'13
Country/Territory	Hong Kong
City	Hong Kong
Period	19/11/13 → 22/11/13
Internet address	https://dl.acm.org/doi/proceedings/10.1145/2542266 (Proceedings)

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10.1145/2542266.2542279

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title = "Computational manga and anime",

abstract = "Traditional manga (comic) and anime (cartoon) creation are painstaking processes. Even computers are utilized for the content creation, computers are mainly utilized as a naive digital canvas. With the increasing computing power and decreasing cost of CPU & GPU, more computing resource can be exploited cost-effectively for intelligent and semi-automatic creation of aesthetics content. In this course, we gather speeches from both artist and scientists. We shall discuss what kind of computer technologies an artist would prefer to use in their creation (i.e. user point of view), and recent technologies developed in graphics that facilitates or even inspires the content creation.",

author = "Tien-Tsin Wong and Takeo Igarashi and Ying-Qing Xu and Danqing Shi",

year = "2013",

doi = "10.1145/2542266.2542279",

language = "English",

isbn = "9781450326315",

booktitle = "SIGGRAPH Asia 2013 Courses, SA 2013",

publisher = "Association for the Advancement of Artificial Intelligence (AAAI)",

address = "United States of America",

note = "ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia 2013, SA'13 ; Conference date: 19-11-2013 Through 22-11-2013",

url = "https://dl.acm.org/doi/proceedings/10.1145/2542266",

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AU - Igarashi, Takeo

AU - Xu, Ying-Qing

AU - Shi, Danqing

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Y1 - 2013

N2 - Traditional manga (comic) and anime (cartoon) creation are painstaking processes. Even computers are utilized for the content creation, computers are mainly utilized as a naive digital canvas. With the increasing computing power and decreasing cost of CPU & GPU, more computing resource can be exploited cost-effectively for intelligent and semi-automatic creation of aesthetics content. In this course, we gather speeches from both artist and scientists. We shall discuss what kind of computer technologies an artist would prefer to use in their creation (i.e. user point of view), and recent technologies developed in graphics that facilitates or even inspires the content creation.

AB - Traditional manga (comic) and anime (cartoon) creation are painstaking processes. Even computers are utilized for the content creation, computers are mainly utilized as a naive digital canvas. With the increasing computing power and decreasing cost of CPU & GPU, more computing resource can be exploited cost-effectively for intelligent and semi-automatic creation of aesthetics content. In this course, we gather speeches from both artist and scientists. We shall discuss what kind of computer technologies an artist would prefer to use in their creation (i.e. user point of view), and recent technologies developed in graphics that facilitates or even inspires the content creation.

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DO - 10.1145/2542266.2542279

M3 - Conference Paper

AN - SCOPUS:84890897457

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BT - SIGGRAPH Asia 2013 Courses, SA 2013

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T2 - ACM SIGGRAPH Conference and Exhibition on Computer Graphics and Interactive Techniques in Asia 2013

Y2 - 19 November 2013 through 22 November 2013

ER -

Computational manga and anime

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