Australian (post) National Cinema

Deane Williams

doi:10.1177/1329878X211010776

Australian (post) National Cinema

Deane Williams

Film Screen & Culture

Research output: Contribution to journal › Article › Research › peer-review

Abstract

This article proposes that Tom O’Regan’s Australian National Cinema book is best understood among the contexts from which it emerged and, in this process, repositions the magnum opus of his scholarly career, as a post-national theorising of the national cinema formation in terms of ‘an unprincipled assemblage’ and a discursive multiplicity.

Original language	English
Pages (from-to)	24-31
Number of pages	8
Journal	Media International Australia
Volume	180
Issue number	1
DOIs	https://doi.org/10.1177/1329878X211010776
Publication status	Published - 24 Jul 2021

Keywords

Tom O'Regan
Australian Film and Television
Film History

Access to Document

10.1177/1329878X211010776

Cite this

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