Abstract
Art music has become more complex over the course of the last century. The advent of sound recording means the iteration of a work is now more complicated than a score on paper, and the advent of computing means that the work may no longer exist solely on paper, or even on paper at any stage, but rather exists in a number of forms. How do we navigate the process of remembering and archiving music, and the documents associated with it, particularly when the work may be more closely tied to process and performance than to a score?
Original language | English |
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Title of host publication | Documenting Performance the Context and Processes of Digital Curation and Archiving |
Subtitle of host publication | The Context and Processes of Digital Curation and Archiving |
Editors | Toni Sant |
Place of Publication | London UK |
Publisher | Bloomsbury Academic |
Pages | 215-226 |
Number of pages | 12 |
ISBN (Electronic) | 9781472588197 |
ISBN (Print) | 9781472588180, 9781472588173 |
Publication status | Published - 1 Jan 2017 |
Externally published | Yes |
Keywords
- music archives
- western australia
- digital archives