An unknown Australian war novel

Miles Franklin’s Nemari ništa: Six Months with the Serbs

Research output: Contribution to journalArticleResearchpeer-review

Abstract

Miles Franklin’s sketches from the Balkan front are discussed in the context
of Franklin as an Australian writer of “the soil” whose observations of the
Serbian soldiers and life in the hospital camp on the Salonika front take the
form of sketches of manners. The sketch of manners is announced in the literary
manifestoes of the French, the English and the Russians as part of a poetics
of Realism in the European literary canon. These prescribe the capturing of
a moment in time as the task of the writer, who acts as a ‘local historian’ perpetuating the memory of the manners and mores of his contemporaries for posterity. Franklin’s sketches comply also with the idea of ‘circumstantial beauty’ propounded by Charles Baudelaire in his essay on Constantin Guys. It is argued that the Serbs portrayed by Franklin become a symbol of the desire of the age. The sketches transcend the modest claims of the writer of being simple testimony to the Serb as she saw him and are a chronicle of feelings of the author, her reactions to sounds, sights and the humanity she encounters. It is the personalized emotive point of view, described as “Australianism” which imparts unity to the sketches and gives grounds for calling Six Months with the Serbs an Australian war novel.
Original languageEnglish
Pages (from-to)148-167
Number of pages21
JournalTranscultural Studies
Volume10
Issue number2
Publication statusPublished - 2014

Keywords

  • Realism
  • Baudelaire
  • sketch of manners
  • Australian poetics
  • “soil”
  • “Australianism”
  • rhythmic prose
  • desire of the age
  • war novel

Cite this

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title = "An unknown Australian war novel: Miles Franklin’s Nemari ništa: Six Months with the Serbs",
abstract = "Miles Franklin’s sketches from the Balkan front are discussed in the contextof Franklin as an Australian writer of “the soil” whose observations of theSerbian soldiers and life in the hospital camp on the Salonika front take theform of sketches of manners. The sketch of manners is announced in the literarymanifestoes of the French, the English and the Russians as part of a poeticsof Realism in the European literary canon. These prescribe the capturing ofa moment in time as the task of the writer, who acts as a ‘local historian’ perpetuating the memory of the manners and mores of his contemporaries for posterity. Franklin’s sketches comply also with the idea of ‘circumstantial beauty’ propounded by Charles Baudelaire in his essay on Constantin Guys. It is argued that the Serbs portrayed by Franklin become a symbol of the desire of the age. The sketches transcend the modest claims of the writer of being simple testimony to the Serb as she saw him and are a chronicle of feelings of the author, her reactions to sounds, sights and the humanity she encounters. It is the personalized emotive point of view, described as “Australianism” which imparts unity to the sketches and gives grounds for calling Six Months with the Serbs an Australian war novel.",
keywords = "Realism, Baudelaire, sketch of manners, Australian poetics, “soil”, “Australianism”, rhythmic prose, desire of the age, war novel",
author = "Vladiv-Glover, {Slobodanka Millicent}",
year = "2014",
language = "English",
volume = "10",
pages = "148--167",
journal = "Transcultural Studies",
issn = "1930-6253",
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}

An unknown Australian war novel : Miles Franklin’s Nemari ništa: Six Months with the Serbs. / Vladiv-Glover, Slobodanka Millicent.

In: Transcultural Studies, Vol. 10, No. 2, 2014, p. 148-167.

Research output: Contribution to journalArticleResearchpeer-review

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