@article{c007987014e54d3fa70c621d01ffcfa6,
title = "AllPlay Dance: two pilot dance projects for children with disability, developed and assessed with a dance studies approach",
abstract = "AllPlay Dance is founded on a collaborative approach to research between the School of Psychology and the School of Communication of Creative Arts, both of Deakin University. The research is also undertaken in partnership with professional ballet company, Queensland Ballet. This paper describes the development and execution of two pilot projects for children with disability, utilizing a dance studies methodology. The projects were conducted in 2018 and 2019 for children with cerebral palsy (CP) and autism spectrum disorder, as part of the AllPlay Dance program. Participants with disabilities ranged in age from 7 to 12 years. As well as describing the approach to the program development, we discuss the involvement of older and more experienced buddies who were included as a method to support the participation in dance of children with disabilities. We will also describe the diffusion of authorship in the making of group dances as a tool for inclusion and the premise of dance as a social practice in which participants inter-subjectively generate meaning and sense making. The AllPlay Dance projects were developed as a series of dance classes in which participants worked with set or learned movement material, dance improvisation, and tasks for movement generation in order to collectively generate a dance for performance. This paper focuses on the aim of developing inclusive approaches to dance classes that challenge “ableist” notions of dance as spectacle to enable to work toward building transferable programs to allow all children who so desire and to participate in dance in their communities.",
keywords = "creative, dance, disability, inclusion, participation, social",
author = "Olivia Millard and Ebony Lindor and Nicole Papadopoulos and Carmel Sivaratnam and Jane McGillivray and Nicole Rinehart",
note = "Funding Information: AllPlay Dance is funded by National Disability Insurance Scheme, Moose Toys, MECCA Brands, Grace and Emilio Foundation, and the Wenig Family. Donations and philanthropic support from MECCA Brands, Grace and Emillio Foundation funded research staff and the Wenig Family funded PhD scholarship. NDIS supported initial AllPlay Dance program development including online resources (see allplaydance.org. au) and systematic review. Moose Toys funds the AllPlay program (allplay.org.au). The funders were not involved in the study design, collection, analysis, interpretation of data, the writing of this article or the decision to submit it for publication. Funding Information: The research team would like to thank all the families, buddies, and volunteers who participated in this research, the Grace and Emilio foundation for funding research staff, MECCA Brands for funding for research staff, the Wenig Family for their PhD Scholarship, and Moose Toys for funding AllPlay. We would also like to thank the Australian Football League and the Hawthorn Football Club for inviting the AllPlay Dance team to perform at the Hawthorn FC Inclusion round and the Felcity Mandle at Queensland Ballet for our ongoing research partnership and for facilitating the Masterclass, with Artistic Director, Li Cunxin. Finally, we would like to thank the reviewers for their significant input in the development of this paper. Publisher Copyright: Copyright {\textcopyright} 2021 Millard, Lindor, Papadopoulos, Sivaratnam, McGillivray and Rinehart.",
year = "2021",
month = oct,
day = "22",
doi = "10.3389/fpsyg.2021.567055",
language = "English",
volume = "12",
journal = "Frontiers in Psychology",
issn = "1664-1078",
publisher = "Frontiers Media SA",
}