Abstract
This article focuses on the cultural and artistic value of a collection of Torres Strait Islander drawings that were commissioned and collected in the late 19th century. I argue that these drawings, made during Alfred C. Haddon's “salvage anthropology” expeditions, can provide insight into the nature of Islander graphic systems and the production of contemporary Islander art. By focusing on stylistic links between the drawings and other forms of decorative art, and their role as resources and inspiration for contemporary Islander artists, I explore the role these collections play in investigating regional artistic traditions, and how they act as agents in reaffirming Islander identity.
Original language | English |
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Pages (from-to) | 167-188 |
Number of pages | 22 |
Journal | Visual Anthropology |
Volume | 25 |
Issue number | 3 |
DOIs | |
Publication status | Published - 2012 |