‘A Malay knight speaks the white man’s tongue’

TY - JOUR

T1 - ‘A Malay knight speaks the white man’s tongue’

T2 - Muhammad Haji Salleh on translating the self and one’s own literary tradition

AU - Aveling, Harry G

PY - 2016

Y1 - 2016

N2 - Sasterawan Negara Professor Emeritus Muhammad Haji Salleh (b.1942) is a major Malay poet and literary scholar. Mainly educated in English and writing his early poetry largely in that language, he made a decision during his late twenties to write his further poetry only in Malay. His poetry now exists in English, Malay, a small number of Malay translations of his own works first published in English, and a much larger number of his own English translations of works that were first published in Malay. His scholarship has focused on the aesthetics of the classical Malay literary tradition, and he has recently published an English translation of the epic, the Hikayat Hang Tuah. This article is based on Anthony Pym’s proposal that ‘the central object’ of translation history should be ‘the human translator’ (1998: ix). It will study Muhammad’s development as a bilingual scholar, poet, translator and self-translator, working within specific literary and academic fields. As a translator, Muhammad has moved from a ‘formal’, literal, style of translation to a freer, more ‘dynamic’, style. Muhammad’s translations of his own poetry are freer in form but strict in the translation of content. His translation of the classical epic, the Hikayat Hang Tuah, follows the original patterns of phrasing but is free in its use of extended paraphrase and a mock-medieval English rhetoric.

AB - Sasterawan Negara Professor Emeritus Muhammad Haji Salleh (b.1942) is a major Malay poet and literary scholar. Mainly educated in English and writing his early poetry largely in that language, he made a decision during his late twenties to write his further poetry only in Malay. His poetry now exists in English, Malay, a small number of Malay translations of his own works first published in English, and a much larger number of his own English translations of works that were first published in Malay. His scholarship has focused on the aesthetics of the classical Malay literary tradition, and he has recently published an English translation of the epic, the Hikayat Hang Tuah. This article is based on Anthony Pym’s proposal that ‘the central object’ of translation history should be ‘the human translator’ (1998: ix). It will study Muhammad’s development as a bilingual scholar, poet, translator and self-translator, working within specific literary and academic fields. As a translator, Muhammad has moved from a ‘formal’, literal, style of translation to a freer, more ‘dynamic’, style. Muhammad’s translations of his own poetry are freer in form but strict in the translation of content. His translation of the classical epic, the Hikayat Hang Tuah, follows the original patterns of phrasing but is free in its use of extended paraphrase and a mock-medieval English rhetoric.

KW - Dynamic translation

KW - formal translation

KW - Hikayat Han Tuah

KW - Muhammad Haji Salleh

KW - self-translation

U2 - 10.1080/13639811.2016.1181413

DO - 10.1080/13639811.2016.1181413

M3 - Article

VL - 44

SP - 389

EP - 408

JO - Indonesia and the Malay World

JF - Indonesia and the Malay World

SN - 1363-9811

IS - 130

ER -