Samuel Dunscombe is a composer-performer specialising in the use of clarinets, computers, and microphones. From free improvisation to field recording and the performance of contemporary classical repertoire, Samuel is involved in a diverse range of activities. Some highlights include:
Performances at the Bendigo International Festival of Exploratory Music (Australia), Tokyo Experimental Festival (Japan), Tectonics (Tel Aviv, Athens), World Music Days (Slovenia), Kontraklang (Berlin), Supersense (Australia), Monday Evening Concerts LA (USA), Athens Slingshot Festival (USA), Toronto Electro-Acoustic Symposium (Canada), STEIM (Holland), Cave12 (Switzerland), Adelaide / Melborne / Sydney International Arts Festivals (Australia), Maerz Musik (Berlin).
Free improv collaborations with Seijiro Murayama, Toshimaru Nakamura, Ishikawa Ko, Richard Barrett, Tim Olive, Tetuzi Akiyama, Yoshimoto Yumiko, Mitsui Yoshiko, Murmur Collective, Jim O’Rourke, Joe Talia, Ilan Volkov, Golden Fur.
Premier performances of works by Anthony Pateras, Chikako Morishita, Rebecca Saunders, Wojtek Blecharz, David Chisholm, Jacob Ullman, Cat Hope, Iancu Dumitrescu, Ana Maria Avram, Elise Roy, Hunjoo Jung, Rohan Drape, Maya Dunietz, Carolyn Chen, Eva-Maria Houben.
Special performance projects based around works by Pierluigi Billone (1+1=1), Horatiu Radulescu (Capricorn’s Nostalgic Crickets; Inner Time).
Ongoing collaborative projects with Klaus Lang, Dennis Cooper, Benedetta De Alessi, Golden Fur (with James Rushford and Judith Hamann), Rebecca Lane, Eva-Maria Houben, Hunjoo Jung, trio with Michiko Ogawa and Taku Sugimoto.
Artist talks, guest lectures, and conference presentations at the Sound of Memory Symposium (Goldsmiths, London), Oberlin College (Ohio, USA), Musashino Art University (Tokyo, Japan), Hearing Landscapes Critically (Harvard, USA), Affective Habitus (ANU, Australia), RMIT University (Melbourne, Australia), CALIT2 IDEAS (San Diego, USA).
Field recording projects with Francisco Lopez (Mamori Art Lab), Kate Clark (Parking Lot Park), and an ongoing quixotic attempt to single-handedly create a total sound map of the entire state of California.
Samuel has a DMA in music performance from the University of California, San Diego (UCSD), with a dissertation focussing on the massed-clarinet works of Horatiu Radulescu. He holds a Bachelor of Fine Art (Sound) from RMIT University (Melbourne), and Masters and Bachelors degrees in Music Performance from the VCA in Melbourne, Australia. From February 2018, Samuel is now a lecturer in clarinet and coordinator of woodwind at Monash University in Melbourne, Australia.
Chief Archivist, Lucero Print / Horatiu Radulescu Archives